Who was the Foyer of the Dance painter?

Edgar Degas (French: [ilɛʁ ʒɛʁmɛ̃ ɛdɡɑʁ dəɡɑ]; US /deɪˈɡɑː/ or UK /ˈdeɪɡɑː/); born Hilaire-Germain-Edgar De Gas; (19 July 1834 – 27 September 1917) was a French artist famous for his paintings, sculptures, prints, and drawings. He is especially identified with the subject of dance; more than half of his works depict dancers. He is regarded as one of the founders of Impressionism, although he rejected the term, and preferred to be called a realist. He was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his renditions of dancers, racecourse subjects and female nudes. His portraits are notable for their psychological complexity and for their portrayal of human isolation.

At the beginning of his career, he wanted to be a history painter, a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties, he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life.

Notable individuals, from left to right:

Row 1: Joan of Arc • Jacques Cartier • René Descartes • Molière • Blaise Pascal • Louis XIV of France • Voltaire • Denis Diderot • Napoleon

French art consists of the visual and plastic arts (including architecture, woodwork, textiles, and ceramics) originating from the geographical area of France. Historical surveys of French art typically begin with Pre-Romanesque art, Romanesque art, and Gothic art, but some surveys, such as André Chastel's French Art, include discussions of prehistoric art, Celtic art, and Roman art within France.

In the French courts during the 17th Century, ballet first begins to flourish with the help of several important men: King Louis XIV, Jean-Baptiste Lully, Pierre Beauchamps, and Molière. The combination of different talents and passions of these four men shaped ballet to what it is today.

Choreography is the art of designing sequences of movements in which motion, form, or both are specified. Choreography may also refer to the design itself. The word choreography literally means "dance-writing" from the Greek words "χορεία" (circular dance, see choreia) and "γραφή" (writing). A choreographer is one who creates choreographies by practicing the art of choreography.

The word "choreography" first appeared in the American English dictionary in the 1950s and "choreographer" was first used as a credit for George Balanchine in the Broadway show On Your Toes in 1936. Prior to this, stage and movie credits used phrases such as "ensembles staged by" "dances staged by" or simply "dances by" to denote the choreographer.

Marie Sanlaville (1847–1930) was a leading dancer with the Paris Opéra. She is particularly noted for her association with the artist Edgar Degas, who painted her often and dedicated a rare sonnet to her.

In a career spanning the years 1864–89, Marie Sanlaville was to become a principal ballerina at the Paris Opéra. Her speciality was playing male roles (en travesti), which was common at the period, and she eventually succeeded Eugénie Fiocre as the company’s foremost dancer in this capacity. As such she frequently starred with Rosita Mauri, the Opéra's main female lead. She was described by one contemporary as one of the most charming and spirited performers there and another noted that she could dance a role after a single rehearsal. Among her principal roles were the part of the goblin Zail in Léo Delibes’ La Source (1866); of Eros in Sylvia (Délibes, 1876); of Pepio in Les Deux Pigeons (Messager, 1886); and of Harlequin Senior in the 1886 performance of Charles Lecocq's Les Jumeaux de Bergame.

In journalism, a human interest story is a feature story that discusses a person or people in an emotional way. It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer.

Human interest stories may be "the story behind the story" about an event, organization, or otherwise faceless historical happening, such as about the life of an individual soldier during wartime, an interview with a survivor of a natural disaster, a random act of kindness or profile of someone known for a career achievement.

Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things, because individuals have different preferences in entertainment, most forms are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry which records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded products; to a banquet adapted for two; to any size or type of party, with appropriate music and dance; to performances intended for thousands; and even for a global audience.

The experience of being entertained has come to be strongly associated with amusement, so that one common understanding of the idea is fun and laughter, although many entertainments have a serious purpose. This may be the case in the various forms of ceremony, celebration, religious festival, or satire for example. Hence, there is the possibility that what appears as entertainment may also be a means of achieving insight or intellectual growth.