Who sings Walk on By from breakfast club?


That is the song "Don't You (Forget About Me)" which is sung by Simple Minds. "Will you walk on by. Will you call my name."

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"I Can Dream About You" is a song performed by Dan Hartman on the soundtrack of the film Streets of Fire. Originally released in 1984 as a single off Hartman's album I Can Dream About You, it reached #6 on the Hot 100Billboard. The song was performed by Winston Ford in the movie. In 2006 the song appeared in the popular video game Grand Theft Auto: Vice City Stories. According to Daryl Hall, Hartman had written the song with Hall & Oates in mind, and offered the song to them to record as their own. Hall & Oates declined, citing that they didn't normally record cover songs. Late in their career, however, they issued an album of covers called Our Kind of Soul on which they recorded their own version (with changed lyrics) of Hartman's song. Two music videos accompanied the song. One didn't feature Hartman and mainly featured scenes from the Streets of Fire film with actor Stoney Jackson lip-syncing the song. Another featured Hartman playing a bartender who tries to charm a young lady while scenes from Streets of Fire are playing.
"Don't You (Forget About Me)" is a 1985 song performed by the band Simple Minds. The song is best known for being played during the opening and closing credits of the John Hughes film The Breakfast Club. It was written by producer Keith Forsey and Steve Schiff (guitarist and songwriter from the Nina Hagen band). Forsey asked Cy Curnin from The Fixx, Bryan Ferry and Billy Idol to record the song, but all three declined; Idol would later perform a cover of it on his 2001 greatest hits compilation. Schiff then suggested Forsey ask Idol's fellow Britons, New Wave band Simple Minds, who initially refused as well, but then agreed under the encouragement of their label, A&M. According to one account, the band "rearranged and recorded 'Don’t You (Forget About Me)' in three hours in a north London studio and promptly forgot about it." Continuing the rock direction recently taken on Sparkle in the Rain but also glancing back at their melodic synthpop past, it caught the band at their commercial peak and, propelled by the success of The Breakfast Club, became a number-one hit in the U.S. and around the world. It is the band's only number-one hit on the U.S. Top Rock Tracks chart, staying atop for three weeks. While only reaching number seven in the UK, it stayed on the charts from 1985–1987, one of the longest time spans for any single in the history of the chart. Despite its success, the band continued to dismiss the song, the most obvious slight being its absence from their subsequent album Once Upon a Time. It eventually appeared on the 1992 best-of Glittering Prize 81/92. Two versions were created for release; the edited version of 4:23 appeared on the 45 RPM single and the original motion picture soundtrack album of The Breakfast Club. However, the full and uncut version was released on a 12" single, which topped out at a total time length of 7:18. Most radio formats in the U.S. only programmed the 4:23 version, making it a rarity to hear the full version on radio. The compilation label UTV Records (a Universal Company) included the full version on its 2001 Pure 80's Hits Various Artists release. This version contains longer breakdowns and drum fills, a second appearance of the bridge, and a longer outro than the popular edited version. It is also available on the bands 1990 compilation Themes – Volume 2: August 82–April 85. John Leland from Spin wrote that "'Don't You (Forget About Me),' a romantic and melancholy dance track, therefore cuts ice both in the living room and on the dance floor." The music video, directed by Daniel Kleinman, takes place on a dancing floor in a dark room with a chandelier, a rocking horse and television sets, displaying scenes from The Breakfast Club. Jim Kerr, the band's lead singer, dances in many scenes. In 2013, Molly Ringwald, one of the stars of The Breakfast Club, released a jazz version dedicated to the memory of the film's director, John Hughes, on her album, Except Sometimes.
Simple Minds are a Scottish rock band formed in 1977. They achieved commercial success in the early 1980s and, despite various personnel changes, continue to record and tour. The band scored a string of hit singles, and are best known for their 1985 hit "Don't You (Forget About Me)" (UK #7, US #1), from the soundtrack of the John Hughes film The Breakfast Club. Their other more prominent hits include "Alive and Kicking" (UK #7, US #3) and "Belfast Child" (UK #1). In 1986, the band was nominated for the Brit Award for Best British Group. The core of the band is the two remaining founder members – Jim Kerr (vocals, songwriting) and Charlie Burchill (guitars, keyboards after 1990, other instruments, songwriting) – and drummer Mel Gaynor (who first joined the band in 1982). The other current band members are Andy Gillespie (keyboards) and Ged Grimes (bass guitar). Former members include bass guitarist Derek Forbes, drummer Brian McGee and keyboardist Mick MacNeil. The roots of Simple Minds are in the short-lived punk band Johnny & The Self-Abusers, founded on the South Side of Glasgow in 1977. The band was conceived by would-be Glasgow scenemaker Alan Cairnduff, although he left the job of organising the band to his friend John Milarky. At Cairnduff’s suggestion, Milarky teamed up with two musicians he had never worked with before – budding singer and lyricist Jim Kerr and guitarist Charlie Burchill. Kerr and Burchill had known each other since the age of eight. After joining Johnny & The Self-Abusers, they brought in two of their school friends, Brian McGee on drums and Tony Donald on bass (all four had previously played together in the schoolboy band Biba-Rom!). With Milarky established as singer, guitarist and saxophonist, the line-up was completed by his friend Alan McNeil as third guitarist. Kerr and Burchill also doubled on keyboards and violin respectively. In common with the early punk bands, various members took on stage names—Milarky became "Johnnie Plague", Kerr became "Pripton Weird", MacNeil chose "Sid Syphilis" and Burchill chose "Charlie Argue". Johnny & The Self-Abusers played their first gig on Easter Monday, 1977 at the Dourne Castle pub in Glasgow. The band played support to rising punk stars Generation X in Edinburgh two weeks later. The band went on to play a summer of concerts in Glasgow. The band soon split into two factions, with Milarky and McNeil on one side and Kerr, Donald, Burchill and McGee on the other: at the same time, Milarky’s compositions were being edged out in favour of those of Kerr and Burchill. In November 1977, Johnny & The Self-Abusers released its only single, "Saints And Sinners", on Chiswick Records (which was dismissed as being "rank and file" in a Melody Maker review.) The band split on the same day that the single was released, with Milarky and McNeil going on to form The Cuban Heels. Ditching the stage names and the overt punkiness, the remaining members continued together as Simple Minds (naming themselves after a David Bowie lyric from his song "Jean Genie"). In January 1978, Simple Minds recruited Duncan Barnwell as a second guitarist (allowing for an optional two-guitar line-up while also enabling Burchill to play violin). Meanwhile, Kerr had abandoned keyboards to concentrate entirely on vocals. In March, Kerr, Burchill, Donald, Barnwell and McGee were joined by the Barra-born keyboard player Mick MacNeil. The band rapidly established a reputation as an exciting live act (usually performing in full makeup) and gained a management deal with Bruce Findlay, owner of the Bruce's Records chain of record shops. Findlay also owned Zoom Records (a subsidiary of the Arista Records label), and used his position to get Simple Minds signed to Arista. By early 1980, Findlay became the band's full-time manager via his Schoolhouse Management company. The band's line-up did not settle until the end of 1978. Tony Donald quit in April, before the first Simple Minds demo tape was recorded (he later became Burchill's guitar technician). He was replaced by Duncan Barnwell's friend Derek Forbes (formerly the bass player with The Subs). In November, Barnwell was asked to leave. The remaining quintet of Kerr, Burchill, MacNeil, Forbes and McGee—generally considered as the first serious line-up of Simple Minds—began rehearsing the set of Kerr/Burchill-written songs which appear on their début album. The first Simple Minds album, Life in a Day, was produced by John Leckie and released by Arista in April 1979. The album's title track "Life In A Day" was released as Simple Minds' first single and reached No. 62 in the UK Gallup charts, with the album reaching No. 30 in the LP charts. The next single ("Chelsea Girl") failed to chart. While preparing ideas for the next record, they played a support slot for Magazine, following which they went back to the studio with Leckie to work on new material. Simple Minds' second release, Real to Real Cacophony was a significant departure from the pop tunes of Life in a Day. The album had a darker and far more experimental atmosphere, announcing some of the New Wave experimentation that became the band’s trademark sound over the next two albums. Much of the album was written in the studio, although Simple Minds had been playing early versions of several tracks during the recent tour dates. Innovations which the band displayed on Real to Real Cacophony included minimalist structures based around the rhythm section of Forbes and McGee, plus the occasional use of unconventional time signatures. The band also experimented with elements of dub, and included the wordless and atmospheric "Veldt" in which they attempted to create an impression of an African landscape using electronic buzzes and drones, Burchill's improvised saxophone lines and Kerr's chants and cries. The album also generated the single "Changeling". The next album was Empires and Dance Many of the tracks were minimal and featured a significant use of sequencing. McNeil's keyboards and Forbes' bass became the main melodic elements in the band's sound, with Burchill's heavily-processed guitar becoming more of a textural element. With this album, Kerr began to experiment with non-narrative lyrics based on observations he had made as the band travelled across Europe on tour. In 1981 Simple Minds switched from Arista to Virgin. The following year, Arista put out a compilation album, Celebration, featuring tracks from the three previous records. Simple Minds' first release on Virgin was two albums: the Steve Hillage-produced Sons and Fascination and Sister Feelings Call. The latter album was initially included as a bonus disc with the first 10,000 vinyl copies of Sons and Fascination, but it was later re-issued as an album in its own right. (For the CD release, it was paired on a single disc with Sons and Fascination — at first with two tracks deleted, but on later issues, in full.) Peter Gabriel selected Simple Minds as the opening act on several dates of his European tour. Further increasing the band's visibility, the single "Love Song" was an international hit (reaching the Top 20 in Canada and Australia), and the instrumental "Theme for Great Cities" proved so enduring a composition that it was later re-recorded in 1991 as a B-side to the single "See the Lights". During this period the visual aesthetic of Simple Minds' product was established, masterminded by Malcolm Garrett's graphic design company Assorted iMaGes. Characterised at first by hard, bold typography and photo-collage, Garrett's designs for the band later incorporated pop-religious iconography in clean, integrated package designs that befitted the band's idealised image as neo-romantic purveyors of European anthemic pop. Drummer Brian McGee left the band at the end of the Sons and Fascination sessions, citing exhaustion at Simple Minds' constant touring schedule and a desire for more time at home with family. He later joined Propaganda. McGee's initial replacement as Simple Minds' drummer was Kenny Hyslop (ex-Skids, Slik, Zones), who joined the band in October 1981 in time to play the first leg of the Sons & Fascination tour. His interest in New York music (including funk, hip-hop and dance) played an immediate part in the band's musical development. He stayed long enough to drum on the band's next single, the disco-friendly "Promised You a Miracle" (based on a funk riff from one of the cassettes he played on the band's tour bus) which hit the UK Top 20 and the Australian Top 10. Hyslop "didn't fit in" with the band or their management (a situation further strained by his apparent suspicion of record companies) and in February 1982 he left the band after five months. Hyslop was replaced by the Kilmarnock-born percussionist Mike Ogletree (the former drummer for Café Jacques). Ogletree joined Simple Minds for rehearsals in a large converted barn in Perthshire, where he wrote and played the drum parts for the songs that were to become New Gold Dream (81–82–83–84). Ogletree also performed with the band on TV and the second leg of the 'Sons and Fascination Tour'. The band moved to Townhouse Studios for recording sessions with producer Peter Walsh, who introduced them to a London-born drummer called Mel Gaynor, a 22-year old session musician with plenty of experience (including a stint drumming for The Nolans). Working closely with Ogletree in order to capture and maintain the beats from the Perthshire sessions, he played drums on the majority of the record (although Ogletree played drums on three tracks and is credited for percussion across the entire album). New Gold Dream (81–82–83–84) was released in September 1982, combining the results of the Walsh sessions along with "Promised You a Miracle". The album was a commercial breakthrough and generated charting singles including "Glittering Prize" (which reached the UK Top 20 and Australian Top 10). Simple Minds were soon categorised as part of the New Romantic outgrowth of New Wave (along with Duran Duran and others). While some tracks ("Promised You a Miracle", "Colours Fly and Catherine Wheel") continued the formula perfected on Sons and Fascination, other tracks ("Someone Somewhere in Summertime", "Glittering Prize") were undisguised pop. Jazz keyboardist Herbie Hancock performed a synth solo on the track "Hunter and the Hunted". Mike Ogletree played on the first leg of the New Gold Dream tour, but left the band immediately afterwards in November 1982 to join Fiction Factory. Mel Gaynor was recruited (as a full member of the band) for the remaining dates. Simple Minds' first non-Scottish member, Gaynor went on to become the band's longest-standing drummer despite twice leaving and returning in the following decades. The next record, Sparkle in the Rain, was produced by Steve Lillywhite and released in February 1984. It gave rise to successful singles like "Waterfront" (which hit No. 1 in a few European countries) and "Speed Your Love to Me" and "Up on the Catwalk". Sparkle in the Rain topped the charts in the UK and hit the Top 20 in several other countries (including Canada, where it reached No. 13). In 1984, Jim Kerr married Chrissie Hynde from the Pretenders (who temporarily renamed herself Christine Kerr). Simple Minds did a North American tour where they played as headliners supported by China Crisis during the Canadian leg and in support of the Pretenders in the U.S. while Hynde was pregnant with Kerr's daughter. The marriage lasted until 1990. Despite the band's new-found popularity in the UK and Europe, Simple Minds remained essentially unknown in the US. The band's UK releases on Arista were not picked up by Arista USA who had 'right of first refusal' for their releases. The 1985 film The Breakfast Club broke Simple Minds into the US market, when the band achieved their only No. 1 U.S. pop hit in April 1985 with the film's closing track, "Don't You (Forget About Me)". The song was written by Keith Forsey and Steve Schiff; Forsey offered the song to Billy Idol and Bryan Ferry before Simple Minds agreed to record it. The song soon became a chart-topper in many other countries around the world. At around this point, the camaraderie that had fueled Simple Minds began to unravel, and over the next ten years the band's line-up underwent frequent changes. Jim Kerr subsequently recalled "We were knackered. We were desensitized. The band started to fracture. We were lads who had grown up together, we were meant to grow together, politically, spiritually and artistically. But we were getting tired with each other. There was an element of the chore creeping in. We were coasting and this whole other thing was a challenge." The first casualty was bassist Derek Forbes, who was beginning to squabble with Kerr. Forbes began failing to turn up for rehearsals, and was dismissed. Despite his disappointment, Forbes remained in touch with the band (and soon reunited with another former Simple Minds bandmate, drummer Brian McGee, in Propaganda). In 2008—in what appeared to be an oblique reference to Forbes—Kerr reflected "Looking back, there was a sacking of one guy that was harsh. Probably something stupid like he had a better-looking girlfriend than everyone else. I feel bad about that."][ Forbes was replaced by former Brand X bass player John Giblin (who owned the band's rehearsal space and was a renowned sessions musician who had worked with Peter Gabriel and Kate Bush). Giblin made his debut with Simple Minds at Live Aid in Philadelphia, where the band performed "Don't You (Forget About Me)", a new track called "Ghostdancing" and "Promised You a Miracle". Simple Minds were the first band to be approached to play the Philadelphia leg of Live Aid. During 1985, Simple Minds were in the studio with former Tom Petty/Stevie Nicks producer Jimmy Iovine. In November, Once Upon a Time was released; former Chic singer Robin Clark, who performed call-and-response vocals with Kerr throughout the album (effectively becoming a second lead singer), and was heavily featured in Simple Minds music videos of the time. The record reached No. 1 in the UK and No. 10 in the US, despite the fact that their major-league breakthrough single "Don't You (Forget About Me)" was not included. Once Upon a Time went on to generate four worldwide hit singles: "Alive & Kicking", "Sanctify Yourself", "Ghostdancing" and "All the Things She Said", the last of which featured a music video directed by Zbigniew Rybczyński that used techniques developed in music videos for bands such as Pet Shop Boys and Art of Noise. The band also toured, with both Robin Clark and percussionist Sue Hadjopoulos added to the live line-up. Because of Simple Minds' powerful stage presence and lyrics that trafficked in Christian symbolism, the band was criticised by some in the music press as a lesser version of U2, despite the fact that both bands were now heading in different musical directions. The two groups were well-acquainted with one another, and Bono joined Simple Minds on-stage at the Barrowlands in Glasgow in 1985 for a live version of "New Gold Dream". Bono also appeared on stage at Simple Minds Croke Park concert and sang "Sun City" during the "Love Song" medley. Derek Forbes also appeared on stage at the Croke Park concert and performed on several songs during the encore. To document their worldwide Once Upon a Time Tour, Simple Minds released the double-live set Live in the City of Light in 1987, which was recorded primarily over two nights in Paris in 1986. By 1988, the band had built their own recording premises—the Bonnie Wee Studio—in Scotland. Following the lengthy period of touring to support Once Upon a Time, Simple Minds began new writing sessions. Initially the band began work on an instrumental project called Aurora Borealis (mostly written by Burchill and MacNeil). This project was then supplanted by an increase in the band's political activism, something which they had begun to stress in recent years (by giving all of the income from the "Ghostdancing" single to Amnesty International, and playing cover versions of Little Steven's "(Ain't' Gonna Play) Sun City" on tour), inspired by Peter Gabriel with whom they had toured in the early 1980s. Simple Minds were the first band to sign up for Mandela Day, a concert held at Wembley Stadium, London, as an expression of solidarity with the then-imprisoned Nelson Mandela. Bands involved were asked to produce a song especially for the event – Simple Minds were the only act which produced one. This was "Mandela Day", which the band played live on the day (alongside cover versions of "Sun City" with Little Steven and a cover version of Peter Gabriel's "Biko" on which Gabriel himself took on lead vocals). "Mandela Day" was released on the Ballad of the Streets EP, which reached No. 1 in the British singles charts (the only time the band did so). Another EP track, "Belfast Child", was a rewrite of the Celtic folk song "She Moved Through the Fair" (which had been introduced to Kerr by John Giblin) with new lyrics written about the ongoing war in Northern Ireland). The single was also an expression by Simple Minds of their support for the campaign for the release of Beirut-held hostage Brian Keenan, kidnapped by the Islamic Jihad. "When we first heard the live album I thought, What a great night! What dynamics! But is that it for us – rousing choruses and crashing drums? There didnae seem any room for subtlety, and we always seem at our best when we're not trying to be powerful, but there's an underlying power coming through." The next album Street Fighting Years (produced by Trevor Horn and Stephen Lipson) moved away from the American soul and gospel influences of Once Upon a Time in favour of soundtrack atmospherics and a new incorporation of acoustic and folk music-related ingredients. The lyrics were also more directly political, covering topics including the Poll Tax, the Soweto townships, the Berlin Wall and the stationing of nuclear submarines on the Scottish coast. The band underwent further line-up changes during the recording of Street Fighting Years. Mel Gaynor and John Giblin both contributed to the recording (and, in Giblin's case, to some of the writing) but both had left the band by the time of the album's release, by which time the band was credited as a trio of Kerr, Burchill and MacNeil. In a new development for the band, various bass guitar and drum tracks were performed by high-profile session musicians. Gaynor's departure from the band was brief (he was rehired for the following tour). Released in 1989, the album rose to No. 1 in the UK charts and received a rare five-star review from Q magazine. It received a less positive review in Rolling Stone which criticised the band for what the reviewer considered to be political vacuity. "This Is Your Land" was chosen as the lead single for the U.S., and even with guest vocals from Lou Reed, the single failed to make a mark on the pop charts. Reunited with Mel Gaynor, Simple Minds hired Malcolm Foster (ex-Pretenders) as the new bass player and expanded the live band again by recruiting three additional touring members – backing singer Annie McCaig, percussionist Andy Duncan and violinist Lisa Germano). Touring began in May 1989, and included the first and only time that the group headlined Wembley Stadium, where they were supported by fellow Scottish bands The Silencers, Texas and Gun. In September, the concert in the Roman amphitheatre Verona Arena in Italy was recorded for the live video Verona, released by Virgin in 1990. At the end of the Street Fighting Years tour, Simple Minds laid plans to go to Amsterdam to begin recording a new album. Just before the end of the tour, keyboardist Michael MacNeil announced to the band that he would not be joining them as he needed a break. MacNeil played his last concert with Simple Minds in Brisbane a week later. At the time, MacNeil's departure was put down to health concerns, but he had been gradually suffering disillusionment with the band's lifestyle and touring schedule (as well as what Kerr has referred to as "a number of animated quarrels".) At around the same time, long-term manager Bruce Findlay was fired and over the next few years the band gradually altered to the point where it was a shifting set of musicians around the only remaining core members, Kerr and Burchill. MacNeil has commented "After I left, everything kind of went, and Bruce fell into that bracket of upheaval. I don't think he deserved it and I have a lot of sympathy for him after the way he was treated." In December 2009, Kerr retrospectively defended the changes in an online diary entry. Although he admitted that MacNeil's departure had been a "colossal fracture" he also asserted that "if ever there was a time to regroup, rethink and re- strategise, it was there and then. The last thing needed was for people within the group to be quitting, for things to be fragmenting, creative engines dropping off the machine etc." He also paid tribute to his former bandmate and admitted that MacNeil had been irreplaceable. Simple Minds continued to record, hiring keyboard players as and where required. The first of these was session keyboard player Peter-John Vettese who played live with the band at the Nelson Mandela Freedom Concert and on a short German tour. He was subsequently replaced in the live band by Mark Taylor. In 1991, Simple Minds returned with Real Life. The album's cover showed a trio of Kerr, Burchill and Gaynor and the writing credits for all songs was Kerr/Burchill. The album reached No. 2 in the UK, where it also spawned four Top 40 singles. In the US, "See the Lights" was the band's last Top 40 pop single. The band toured to support the release, playing as a basic five-piece (Kerr, Burchill, Gaynor, Foster and Taylor) and cutting down on the extended arrangements of the last few large tours. Mel Gaynor left the band in 1992 to pursue session work and other projects, and for the next two years Simple Minds were on hiatus, releasing the compilation album Glittering Prize in 1992. Simple Minds returned to active duty later in 1994. By now the band was officially a duo of Kerr and Burchill (with the latter taking on keyboards in the studio, as well as guitar). Hiring Keith Forsey (the writer of "Don't You (Forget About Me)") as producer, they began to put together an album which returned to the uplifting arena rock feel of their Once Upon a Time days. With Gaynor now out of the picture, the remaining instrumentation was covered by session musicians (although Malcolm Foster was included among the bass players used for recording). Good News from the Next World was released in 1995. The album reached No. 2 in the UK and produced the two Top 20 hits "She's a River" and "Hypnotised". The band toured to promote Good News from the Next World, with Malcolm Foster and Mark Taylor as touring bass and keyboard players and Mark Schulman (who had played on the album) on drums. This was Foster's last work with the band, and Schulman returned to session work at the end of the tour. After being released from their contract with Virgin Records, Simple Minds made use of the skills of their original rhythm section, Derek Forbes and Brian McGee (returning after respective eleven- and fourteen-year absences). Although McGee was not involved beyond the rehearsal stage, Forbes formally rejoined Simple Minds in July 1996. The band then reunited with Mel Gaynor for a studio session in early 1997. Gaynor was reinstated as a full-time member for the European tour (which once again featured Mark Taylor on keyboards). After the tour, album recording sessions were interrupted by Kerr and Burchill’s decision to play live (without Forbes, Taylor or Gaynor) as part of the Proms tour (a series of orchestral concerts featuring a mixture of light classical and pop music). The duo played versions of "Alive And Kicking", "Belfast Child" and "Don't You (Forget About Me)" backed by a full orchestra and were billed as Simple Minds. The new album, Neapolis featured Forbes playing bass guitar on all tracks, and Gaynor on one song, "War Babies". Other drum tracks were recorded by session players Michael Niggs and Jim McDermott, with additional percussion programming by Transglobal Underground/Furniture drummer Hamilton Lee. It was the only Simple Minds album released by Chrysalis Records, who refused to release the album in the U.S., citing lack of interest. The music video for "Glitterball", the album's lead single, was the first production of any kind to film at the Guggenheim Museum in Bilbao, Spain. A European tour followed between March and July 1998, undermined by problems with ill-health and contractual fiascos (including a pull-out from the Fleadh Festival to be replaced by James). As Simple Minds' main writing team, Kerr and Burchill had continued to demo and originate material by themselves. For the latest sessions they had shared studio space with a band called Sly Silver Sly who featured Jim Kerr's brother Mark (previously the drummer with Gun) and bass guitarist Eddie Duffy, and who were working with American songwriter Kevin Hunter. While in the studio, the two writing and recording projects (including the Hunter co-writes) merged to become the sessions for the next Simple Minds album, Our Secrets Are the Same. Once again, Forbes and Gaynor found themselves out of the band: Mark Kerr became the new drummer and Eddie Duffy joined on bass guitar. The new-look Simple Minds made their début with a short set of greatest hits at the Scotland Rocks For Kosovo festival, with Mark Taylor returning on keyboards. The displaced Forbes and Gaynor, having apparently been told that the band was not appearing at the festival, formed a new band of their own to play the same concert. Having delivered Our Secrets Are the Same to Chrysalis, Simple Minds then found themselves caught up in record company politics while Chrysalis, EMI and other companies attempted to merge with each other. Originally due for release in late 1999, the album remained unreleased after the band mired themselves in lawsuits with Chrysalis. In 2000, the situation became even more complicated when Our Secrets Are the Same was leaked on the internet. Discouraged with their label's failure to resolve the problems, and with both momentum and potential album sales lost, the band once again went on hiatus. Eddie Duffy, Mark Taylor and Mark Kerr all moved on to other projects. Jim Kerr moved to Sicily and took up a part-time career as a hotelier, although both he and Burchill continued working together on various business interests and kept the idea of the band alive. In 2001, Jim Kerr and Charlie Burchill began working with multi-instrumentalist Gordon Goudie (ex-Primevals) on a new Simple Minds album to be called Cry. Mark Kerr also contributed to the project (this time as an acoustic guitarist and Burchill's co-writer on several songs) while Kerr brought in various Italian musicians as collaborators, including Planet Funk and Phunk Investigation. In parallel to Cry, Simple Minds also recorded an album of covers called Neon Lights, featuring Simple Minds versions of songs from artists including Patti Smith, Roxy Music and Kraftwerk. Neon Lights was the first to be completed and released (later in 2001). In the video for the Neon Lights single "Dancing Barefoot", the band consisted of Jim Kerr, Charlie Burchill, Gordon Goudie and Mark Kerr. A 2-CD compilation, The Best of Simple Minds, was released soon afterwards. On 28 October 2003, Capitol released Seen The Lights – A Visual History, the first-ever Simple Minds commercial (double) DVD, featuring over four hours and twenty minutes of archive footage. The first disc includes the majority of the band's promotional videos. The second disc is devoted to Verona, the band's first video which was originally released in VHS format in 1990. It was upmixed to 5.1 surround sound for the DVD, but otherwise remains the same as the original VHS copy. Cry was released in 2002. Although the album did not sell in great numbers in the U.S., Simple Minds felt confident enough to mount a North American leg of their Floating World Tour (named after the instrumental track which closes Cry), their first in seven years. With Goudie opting to remain studio bound (and Mark Kerr leaving the band again), Simple Minds once again recruited Mel Gaynor as tour drummer. The live band was completed by the returning Eddie Duffy on bass guitar and by new keyboard player/programmer Andy Gillespie (of SoundControl). In 2004, Simple Minds released a five-CD compilation entitled Silver Box. This mostly comprised previously-unreleased demos, radio & TV sessions and live recordings from 1979 to 1995, but also included the long-delayed Our Secrets Are the Same. In 2005, the band embarked on the "Intimate Tour" (a series of low-key gigs at smaller venues). Andy Gillespie was unable to appear at all the gigs, and Mark Taylor returned to cover for him on several occasions. From this point onwards, the two alternated as Simple Minds' live keyboard player, depending on Gillespie's schedule with his other projects. In 2005, Simple Minds released their fourteenth studio album, Black & White 050505. The album's first single, "Home", received airplay on alternative rock radio stations in the US. It reached No. 37 in the UK and was not released in North America. The band spent 2006 touring throughout Europe, the Far East, Australia and New Zealand on the Black And White Tour (with Mark Taylor on keyboards). 2007 saw the band's 30th anniversary, and a brief tour of Australia and New Zealand as guests of INXS. Burchill, Kerr, Gaynor, Duffy and Gillespie also performed a brief set at the 40th anniversary tribute to Celtic F.C.'s Lisbon Lions European Cup-winning team (with Jim McDermott deputising on drums for an absent Mel Gaynor). The band continued to release audio and video download "bundles" through their official website, featuring live music and several short documentary-style videos recorded during their 2006 tour in Edinburgh and Brussels (including the complete show on 16 February 2006 at the Ancienne Belgique, Brussels, Belgium as "Live Bundles" No. 1 to No. 5 and 6 tracks from the show on 28 August 2006 at the "T on the Fringe" music festival, Edinburgh, as "Live Bundles" No. 6 & No. 7). Simple Minds played the 90th birthday tribute to Nelson Mandela on 27 June 2008 in London's Hyde Park. The band then undertook a short tour of the UK to celebrate their 30th anniversary. Jim Kerr and Charlie Burchill also played some unrelated shows across Europe with Night of the Proms prior to those dates. During these concerts, the band performed the entire New Gold Dream (81-82-83-84) album and songs from their other albums in a two-part concert performance. The original members of Simple Minds worked together for the first time in 27 years when they entered a recording studio in June 2008. A new record label, W14/Universal label, purchased the Sanctuary label in early 2009. Former Sanctuary Records A&R head John Williams (who had signed the band to Sanctuary) kept his position with the new label, and exercised the option to pick up the remaining Simple Minds albums owed as part of the previous deal. Reverting to the Burchill/Kerr/Gaynor/Duffy line-up, Simple Minds released a new studio album, Graffiti Soul on 25 May 2009. Jim Kerr suggested that Simple Minds had enough material from the Graffiti Soul recording sessions for two albums, one to be released at the start of 2009 and the second following within a year. The album's first single, "Rockets", was made available on the Internet in early April 2009. On 31 May 2009, the album entered the UK Album chart at No. 10, Simple Minds' first album in 14 years to enter the UK Top 10. The album also entered European Top 100 Album chart at No. 9. In support of the album, Simple Minds embarked on a new European tour called the Graffiti Soul Tour on 3 November 2009 in Vienna. The tour included a leg in the UK and Ireland in December 2009 and ended on 18 December 2009 in Wolfsburg, Germany. After an early 2010 mini-tour in Australia and New Zealand, Simple Minds embarked on a European tour (Germany, Denmark, Norway, The Netherlands, Belgium, France). Interspersed with Simple Minds activity, Jim Kerr recorded and released his first solo album Lostboy! AKA Jim Kerr on 17 May 2010 under the name "Lostboy! AKA". Explaining the project name and ethos, he commented "I didn’t want to start a new band. I like my band ...and I didn’t want a point blank Jim Kerr solo album either." A Lostboy! AKA 10-date European tour followed from 18 to 31 May 2010. In August 2010 Lostboy! AKA embarked on a 12-date "Electroset Radio" tour for various European/UK radio stations but the band played only 4 dates in Germany & Spain. A new Lostboy AKA! 25-date "Electroset" (European) tour (the third one) (featuring Simon Hayward and Sarah Brown) was scheduled from 18 October to 3 December 2010 but the band had played only nine shows when the rest of the tour was cancelled after the performance on 13 November 2010 in Dublin, Ireland because Kerr's mother had become ill with a recurrence of cancer. In August, Simple Minds played four dates in Brazil, scheduling a further concert for 11 September 2010 at La Fête de l'Humanité, La Courneuve, Paris. Eddie Duffy was replaced on bass by Ged Grimes (originally the bass player with Danny Wilson and later a Deacon Blue member who had also played on the Lostboy! AKA project). The band was expected to play a handful of gigs between October and December 2010 but gave only two shows: a mini-concert on 2 October 2010 at the Cash For Kids Ball organised by Radio Clyde at the Hilton in Glasgow, and a full-length concert on 10 December 2010 at the Festhalle in Bern. In early October 2010, a new line-up of Simple Minds (Burchill, Kerr, Gaynor, Gillespie with new bassist Ged Grimes) completed four weeks at the Sphere Recording Studios in London during which four songs were recorded and mixed for a new compilation album to be called Greatest Hits + and for the new Simple Minds studio album. The sessions were produced by Andy Wright and engineered & mixed by Gavin Goldberg. The four songs recorded were an 8-minute long version of "In Every Heaven" (originally recorded in 1982 during the "New Gold Dream" sessions) and three new compositions: "Stagefright" and "On The Rooftop" both written by Charlie Burchill and Jim Kerr and "Broken Glass Park" originally a Lostboy! AKA song written by Jim Kerr and Owen Parker. The initial plan was to release the album on two formats in May 2011 on the eve of the "Greatest Hits Forest Tour". Both formats included the two new songs "Stagefright" and "Broken Glass Park" (with the limited-edition definitive set being boosted by the addition of "In Every Heaven"). In August 2011, its release was postponed until 2012 to coincide with future plans by the band. The new song "Stagefright" was first made available on 3 June 2011 as a free download for members at and fans of the Official Simple Minds Facebook Page. Both new songs "Stagefright" and "Broken Glass Park" were played live during the tour. From 10 June to 3 July 2011, Simple Minds embarked on the "Greatest Hits Forest Tour", playing a series of seven dates in woodland locations of England, as part of Forestry Commission Live Music. From 16 June to 28 August 2011, the "Greatest Hits +" tour visited European countries: the UK, Belgium, Germany, France, Italy, Switzerland, Ireland, Gibraltar & Serbia mainly at summer festival venues. Simple Minds played several free concerts (on 4 July 2011 in Potsdam, Germany, on 4 July 2011 in Florence, Italy for the opening of Florence's Hard Rock Cafe, on 18 August in Belgrade, Serbia before 110,000 people and on 27 August in Bad Harzburg, Germany before 25,000 people). In late August and early September 2011, Simple Minds recorded a new song called "Planet Zero", a "space-rock" track written by Charlie Burchill and Jim Kerr. On 22 November 2011, Simple Minds announced a 16-date European tour entitled "5X5 Live" tour to begin in Portugal on 14 February and to end in Ireland on 4 March 2012 (including four UK venues on 24 and 25 February and on 2 and 3 March 2012) during which the band performed 5 songs from each of their first 5 albums. To coincide with the "5X5 Live" tour, EMI Music released on 20 February 2012 the X5 box set featuring the 5 first albums over 6 discs, Life in a Day, Real to Real Cacophony, Empires and Dance, Sons and Fascination/Sister Feelings Call and New Gold Dream (81–82–83–84) (with Sons and Fascination and Sister Feelings Call as separate discs in a gatefold sleeve as well as bonus material on each disc including B-sides and remixes). In a video made the day after the band played Barrowland in Glasgow on 25 February 2012, Jim Kerr announced Simple Minds' first appearance at the T in the Park festival. After a gig on 30 March 2012 at the Døgnvill Festival in Tromsø, Norway, the band embarked on 23 June 2012 in Vienna, on a 25-date tour of European summer festivals which ended on 22 September 2012 in Germersheim, Germany. On 21 April Virgin Records released the band's first ever record released exclusively for Record Store Day 2012. The 12" single contained two exclusive remixes, Theme For Great Cities remixed by Moby on side A and the 2012 remix of I Travel remixed by John Leckie (who produced the original version of the song in 1980) on side B. The 12" was limited to 1000 copies worldwide of which 100 copies were sold in Sister Ray Records in London, where Jim Kerr and Charlie Burchill took part in a record signing session. EMI released on 19 November 2012 a double live album of the tour entitled 5X5 Live. Simple Minds embarked in late 2012 on an 8-date Australia and New Zealand joint tour with American band Devo and Australian band The Church starting on 29 November 2012 in Melbourne, and ending on 15 December 2012 in Auckland (the only show played in New Zealand). The 3 bands played "A day on the green" shows as well as indoor shows. On 23 October 2012, Simple Minds announced a 30-date "Greatest Hits +" UK Tour (due to begin in Dublin on 25 March 2013 and to end in Ipswich on 4 May 2013) and a new greatest hits 2CD & 3CD collection entitled Celebrate: The Greatest Hits + released on 25 March 2013 on Virgin Records, including 2 new tracks, Blood Diamonds & Broken Glass Park, the 3CD version also including Stagefright, a track which has never been available in CD format before, and unreleased single mixes of Jeweller To The Stars and Space. The North American version of the album contains only 1 CD. On 26 February 2013, Simple Minds announced a European leg to the "Greatest Hits +" Live Tour due to occur at the end of the year, with four dates yet confirmed in the Netherlands, Belgium and France in November 2013. On 19 March 2013, Simple Minds announced a second UK leg to the "Greatest Hits +" Live Tour including 4 arena dates. These concerts will be held in Glasgow, Manchester, Birmingham and London, with guests Ultravox at all 4 concerts. On 20 April 2013, Virgin Records released the band's second 12" made for Record Store Day 2013. The 12" includes a Promised You A Miracle remixed by Mylo (titled Mylo Promised You A Remix) and Broken Glass Park. The release dates are the original ones and the formats mentioned are the most recent versions officially available (not necessarily the original release formats).
"Don't Walk Away" is a song by Jade, released as a single in 1993. It became one of the biggest Dance and R&B singles of the year. The song peaked at #2 on the Hot R&B/Hip-Hop Songs chart and climbed all the way to #4 on the Billboard Hot 100 pop chart. The success of the single landed the trio spots on The Tonight Show, The Arsenio Hall Show and Top of the Pops in the UK. A cover version of this track by Jenny Jones was released in January 2009. CD 7" Vinyl 12" Vinyl "Don't Walk Away" was covered by UK R&B star Javine. It was released as a double-A side single in the UK, along with "You've Got a Friend", a cover of the Carole King classic. The double A-side single reached #16 in the UK singles chart. The single was her final for Innocent Records / Virgin Records. CD: 1 CD: 2
"Walk Like an Egyptian" is a number-one hit from the album Different Light by The Bangles in 1985. Liam Sternberg wrote the song after seeing people on a ferry walking awkwardly to keep their balance, which reminded him of figures in Ancient Egyptian reliefs. The opening lyrics state, "All the old paintings on the tombs/They do the sand dance don't you know". The reference to the sand dance possibly refers to a music hall routine performed by Wilson, Keppel and Betty where Wilson and Keppel danced around in the postures portrayed on the reliefs wearing the fez while Betty watched. By January 1984, Sternberg was finished cutting a demo version of the song with Marti Jones singing the lyric. He offered his song to Toni Basil, who turned it down. From Peer Southern Publishing, David Kahne, the producer of Different Light, received a copy of the demo and liked it, especially Jones's "offhand quality". Kahne took the song to the Bangles who agreed to record it. He had each member of the group sing the lyrics to determine who would sing each verse, with Vicki Peterson, Michael Steele, and Susanna Hoffs singing lead vocals on the first, second, and third verses, respectively, in the final version. Kahne did not like any of Debbi Peterson's leads, and so she was relegated to backing vocals. This angered Debbi and caused tension within the group, as she felt the rest of the band was not supportive. The situation was exacerbated by the drumming in the song being done by a drum machine instead of by her, further diminishing her role in the song. The song was on a "list of records to be avoided" drawn up by the BBC during the Gulf War, along with "Bang Bang (My Baby Shot Me Down)", "Boom Bang-a-Bang" and "Sailing". "Walk Like an Egyptian" was released as the third single from Different Light. It debuted on the Hot 100Billboard in September 1986. The song reached a peak of number three on the UK Singles Chart in November 1986 and reached number one in the U.S. on December 20, staying at the top of the Hot 100 for four weeks, carrying it over into January 1987. The song is the first song by an all-female group playing (mostly) their own instruments to top the Billboard singles chart. The success of the song and "Manic Monday" propelled Different Light to number two on the 200Billboard chart, making it the group's most successful album. On the American Top 40 Top 100 of 1987 radio show, host Casey Kasem reported the song was added to the album as a joke, to which he added, "Some joke. Here's the punchline: The Bangles' sand dance of the ancient pharaohs walks away with the pyramid prize of the year!" contrasting how the song was added to the album with how popular it became, as it topped the year-end Billboard Hot 100 singles chart, which is the chart the American Top 40 was using at the time. The song was also the Bangles' last non-cover Top 40 hit that wasn't co-written by at least one band member. Subsequent charted singles (with the exception of "Hazy Shade of Winter", which is a cover) were co-written by Susanna Hoffs and Debbi Peterson. The music video for "Walk Like an Egyptian" was nominated for Best Group Video in the 1987 MTV Video Music Awards. It featured people dancing in a pose similar to the pose depicted in the Ancient Egyptian reliefs that inspired songwriter Liam Sternberg; while most of them are ordinary people, some famous figures were depicted dancing in that same pose through the use of simple special effects, like Lady Diana and Libyan dictator Muammar Gaddafi. In a popular scene from the video, Hoffs was filmed in a close-up where her eyes moved from side to side, looking left and right. When asked about the scene in an interview with online magazine, Hoffs explained that she was actually looking at individual audience members during the video shoot, which took place with a live audience. Looking directly at individual audience members was a technique she used to overcome stage fright, and she was unaware that the camera had a close-up on her while she was employing this technique, switching between one audience member on her left and one on her right. In 1990, "Walk Like an Egyptian" was re-issued as a single in the UK to promote the Bangles' Greatest Hits album. It featured new remixes for the song called Ozymandias Remix. With the group having parted ways by then, little promotion was made and it charted at a poor #73 in the UK. In 1987, the German rock band Die Ärzte covered the song in the German language as Geh'n wie ein Ägypter, which was released as a single and was placed on the compilation album Ist das alles? (13 Höhepunkte mit den Ärzten). In 1988, The Chipettes covered the song for the album The Chipmunks and The Chipettes: Born to Rock. In 2000, the German pop singer Jasmin Wagner also covered the song in the German version as Geh'n wie ein Ägypter, which was released on her fourth studio album Die Welt gehört Dir. In 2007, on their album The Rise and Fall of Ruby Woo, the European all-girl vocal harmony group (similar to those of the 1940s) The Puppini Sisters covered the song. "Walk Like an Egyptian" was one of the songs deemed inappropriate by Clear Channel following the September 11, 2001 attacks. Additional sources used:
Sing Something Simple was a half-hour radio programme, which featured Cliff Adams and The Cliff Adams Singers, with Jack Emblow on accordion. The programme ran for 42 years from 1959 until 2001, initially on the Light Programme and later on BBC Radio 2, and earning itself the title of the longest-running continuous music programme in the world. The lyrics to its main theme began as follows: Sing something simple
As cares go by
Sing something simple
Just you and I When Sing Something Simple was broadcast by Radio 2, this song would be followed by an announcer who would say: "We invite you to Sing Something Simple, a collection of favourite songs, old and new, sung by The Adams Singers, accompanied by Jack Emblow." The tune would then continue: We'll sing the old songs
like you used to do,
We'll sing something simple for you,
something for you.
Ten minutes in, Cliff Adams would perform a piano solo, which he would introduce, after which the singers would continue with a selection of popular songs of varying vintage. In later years - particularly in the 1980s - in the days when Radio 2's FM frequencies were sometimes leased to Radio 1, the programme would be broadcast directly before the Top 40. The last broadcast was in 2001. The programme ended partly because of the death of Cliff Adams in that year and partly because of Radio 2 changing its music policy to attract a younger audience.
"Lucky Star" is a song by American pop singer Madonna from her debut studio album of the same name. Originally released in the United Kingdom on September 8, 1983, by Sire Records, it was the fourth single from the album. The song also appears on her hits compilations The Immaculate Collection (1990) and Celebration (2009). "Lucky Star" was written by Madonna and produced by Reggie Lucas. However, during recording, Madonna was not impressed by Lucas' version. She called her then boyfriend John "Jellybean" Benitez to remix the track according to her ideas. "Lucky Star" is a medium-paced dance track and combines the heavy beats of a drum with the sounds of a guitar played in a high riff. The lyrics juxtapose the male body with the heavenly stars in the sky. Both contemporary and modern critics praised the song, heralding it as the introduction to upbeat dance music. "Lucky Star" became Madonna's first top-five hit on the Hot 100Billboard, when it reached the peak position of four, becoming the first single in her record-breaking string of 16 consecutive top-ten hits. It had already become Madonna's first number-one song on the Billboard dance charts, when it peaked the chart alongside the previously released single "Holiday". The music video portrayed Madonna dancing in front of a white background, accompanied by her dancers. After the video was released, Madonna's style and mannerisms became a fashion trend among the younger generation. Scholars noted that in the video, Madonna portrayed herself as narcissistic and an ambiguous character. She referred to herself as the lucky star, unlike the lyrical meaning of the song. Madonna has performed the song in a number of live appearances, most recently at the Confessions Tour (2006). It has also been covered by a number of artists. In 1983, Madonna was recording her first studio album with Warner Music producer Reggie Lucas and her then boyfriend John "Jellybean" Benitez. However, she did not have that much new material to ensure a full LP album. Lucas produced a number of songs for the album, namely "Borderline", "Burning Up", "Physical Attraction", "I Know It", "Think of Me" and lastly "Lucky Star". The song was written by Madonna for DJ Mark Kamins, who previously promised to play the track at his club Danceteria, where he worked as a DJ. However, the track was instead used by Madonna for her debut album, which she planned to call Lucky Star. She believed that "Lucky Star" song, along with "Borderline", were the perfect foundation for her album. But problems arose after recording the song. Madonna was unhappy with the way the final version turned out. According to her, Lucas used too many instruments and did not consider her ideas for the songs. This led to a dispute between the two and after finishing the album, Lucas left the project without altering the songs to Madonna's specifications. Hence, Madonna brought Benitez to remix "Borderline" and "Lucky Star", along with some of the other recorded tracks. In a later interview, Benitez reflected back on the recording sessions and commented, "She was unhappy with the whole damn thing, so I went in and sweetened up a lot of music for her, adding some guitars to 'Lucky Star', some voices, some magic. [...] I just wanted to do the best job I could do for her. When we would play back 'Holiday' or 'Lucky Star', you could see that she was overwhelmed by how great it all sounded. You wanted to help her, you know? As much as she could be a bitch, when you were in groove with her, it was very cool, very creative." "Lucky Star" was initially decided to be released as the third single from the album, but "Holiday" had already become a dance-hit in the United States. Hence it was released as the fourth single from the album. Musically a medium-paced dance track, "Lucky Star" starts off with a sparkle of synth note and is followed by heavy beats of electronic drum and handclaps. A guitar is played in high riff and a bubbling bass synth is produced to accompany the guitar sound. The song revolves around the "star light, star bright" hook for more than a minute, before going to the chorus. According to author Rikky Rooksby, the lyrics are repetitive and inane and revolves around the transparent ambiguity of the stars and juxtaposition of the male character with being a heavenly body in the sky. "Lucky Star" is set in the time signature of common time with a moderate dance tempo of 108 beats per minute. It is set in the key of G major with Madonna's voice spanning from the tonal nodes of G3 to F5. The song has a basic sequence of G–A–B–D–E–F as its basic chord progression. Author J. Randy Taraborrelli, in his biography of Madonna, called the song as "fluffy, danceable, but forgettable." However he noted the song's ingenuity which he credited to come from its simplicity and dance-music nature. Author Rikky Rooksby noted that Madonna had a "cutesy" voice in the song and compared her vocals with those of singer Cyndi Lauper's. Author Simon Gage of the book Queer noted that the song was a "happy disco number". The song was appreciated by authors Santiago Fouz-Hernández and Freya Jarman-Ivens, who complimented it in their book Madonna's Drowned Worlds. They noted that with songs like "Lucky Star" and "Burning Up" (1983), Madonna introduced a "style of upbeat dance music that would prove particularly appealing to future gay audiences." English tenor and academic John Potter, in his book The Cambridge companion to singing, commented that "Lucky Star" is a soft-soul, disco-influenced style song but criticized the song's reverb and double tracking which he believed made the song "de-personalized". Sal Cinquemani from Slant Magazine commented that the track had "unknowingly prefaced her recent foray into the glittery halls of electronic-pop." Bill Lamb from described the song, along with "Holiday" and "Borderline," as "state of the art dance-pop." While reviewing Madonna's 1990 compilation The Immaculate Collection, David Browne from Entertainment Weekly complimented the remixed version of the song. Rock critique Robert Christgau, while reviewing The Immaculate Collection, called the song "blessed". Stephen Thomas Erlewine from Allmusic described the song as effervescent. "Lucky Star" was released as the album's fifth single in the United States and debuted on the Hot 100Billboard chart at 49, on the week of August 25, 1984. It finally reached a peak of four, and was present for a total of 18 weeks. It was able to enter other Billboard charts, such as Hot R&B/Hip-Hop Songs and Hot Adult Contemporary, where it peaked at 42 and 19 respectively. Prior to its release, the song had already reached the top of the Hot Dance Music/Club Play chart along with "Holiday". In Canada, the song debuted at position 89 of the RPM Singles chart, reaching a peak of eight in November 1984, and it was present on the chart for 19 weeks. It placed at 72 on the RPM year-end chart for 1984. In the United Kingdom, "Lucky Star" was originally released as the album's second single in September 1983, simultaneously with "Holiday" in the United States. However, it only bubbled under the UK Singles Chart at number 171. In March 1984, it was re-issued and then debuted on the UK Singles Chart at 47, and reached a peak of 14 after three weeks. The song was present on the chart for nine weeks. According to The Official Charts Company, "Lucky Star" has sold 117,470 copies in the United Kingdom, as of August 2008. In Ireland, the song was able to reach 19 on the Irish official charts. In Australia, the song made the top 40 of the Kent Music Report chart and peaked at 36. The music video was directed by Arthur Pierson, and was produced by Glenn Goodwin, while Wayne Isham was in charge of photography. At the time of the song's release, Madonna's style of dress was catching on as a fashion statement among club kids and her fans. The most prominent among her fashion accessories were the crucifixes she wore as earrings and necklaces. Madonna commented that wearing a rosary and a crucifix is "kind of offbeat and interesting. I mean, everything I do is sort of tongue-in-cheeks. Besides, the crucifixes seem to go with my name." In reality, she was trying to find a separate image for herself, being inspired by then artists like Boy George, Cyndi Lauper and David Bowie, and their constantly shifting image and persona. Madonna realised the importance of her music videos and its popularity via MTV – launched in 1981 – was instrumental in popularising her image. The rush for Madonna's fashion started with the music video for "Lucky Star". In the video, Madonna wore an all-black outfit with leggings, ankle boots, and belly button, with her tangled hair tied in a floppy black ribbon. This was coupled with a shiny black miniskirt, an earring on her right ear, cut-off gloves and rubber bangles. Madonna's friend Erika Belle was credited with designing the outfit, although biographer Mary Cross noted that Madonna was after all wearing her day-to-day outfit. Mary Lambert, then a Rhode Island School of Design graduate, was decided for directing the video. However, Arthur Pierson replaced her as the director. Warner Bros. gave Pierson a small budget to make the video, shot in an afternoon. The video starts with the close-up of Madonna's face, as she slides her sunglasses down her nose. This scene was a reference to the character of Lolita in Stanley Kubrick's 1962 film of the same name, and Audrey Hepburn in the movie Breakfast at Tiffany's (1961). The image then fades to white, denoting the celestial stars dazzle, and then resumes itself in color. Madonna is shown dancing against a stark white background, along with closeups of her mesmerised gaze. She is accompanied by Belle and brother Christopher, as backup dancers. The video ends with the initial black-and-white image repeated, but in retrograde, as Madonna puts back on the sunglasses. The taking down and putting up of those sunglasses provided a frame to contain the song, functioning like a curtain that marks the opening and closing of a stage performance. Dance historian Sally Banes, in her book Before, between, and beyond: three decades of dance writing, noted that the video portrayed Madonna as both the subject and the object of the song. She believed that in the video, Madonna taking off her sunglasses symbolised herself as a movie star, thus creating an ambiguous characterization of herself, and a narcissistic theme. Author Peter Goodwin, in his book Television under the Tories: Broadcasting Policy 1979–1997, commented that although "Lucky Star" is not a narrative video, in the clip Madonna plays at least four characters:—the person in sunglasses looking; a break-dancing girl; an androgynous social dancer; and a seductress. The juxtaposition of all these characterizations portray Madonna as a narcissistic self-lover. Images of Madonna's body writhing against the white background generates the question whether she is addressing her lover or herself in the song. According to Goodman, Madonna creates an eroticized woman for her own pleasure only. Time noted that "[s]he's sexy, but she doesn't need men [...] she's kind of there all by herself." Madonna has performed "Lucky Star" during three of her concert tours, namely "The Virgin Tour" (1985), the "Who's That Girl World Tour" (1987), and the "Confessions Tour" (2006). In The Virgin Tour, Madonna performed the song wearing a blue see-through crop top revealing her trademark black bra, a purple skirt, lacy leggings and a brightly patterned jacket. She also wore her crucifixes on her jacket and around her neck. Madonna sang the original version of the song, and pranced around the stage while showing her stomach. The performance was included in the Live – The Virgin Tour VHS, released in 1985. At the Who's That Girl World Tour, "Lucky Star" was performed as the second song of the set list. Madonna wore a black bustier like the music video to her single "Open Your Heart" (1987). Her hair was platinum blond and in a big bushy shape. The performance of "Lucky Star" included a disco ball spinning above the stage, as Madonna and her dancers moved around it as the light from the ball flickered on them like a star. Two different performances are found in Ciao, Italia! – Live from Italy tour video filmed at Stadio Communale in Turin, Italy on September 4, 1987 and the Who's That Girl – Live in Japan tour video filmed at Korakuen Stadium in Tokyo, Japan on June 22, 1987. In the Confessions Tour, "Lucky Star" was performed with Madonna dressed in a purple and white leotard, designed by Jean-Paul Gaultier. As the performance of "La Isla Bonita" ends, Madonna lies face-down on the stage. Her dancers wrap a cape around her that proclaim the word "Dancing Queen" at the back. As the familiar music of the intro to "Lucky Star" is heard, Madonna gets up and faces the audience. Suddenly the lights go off and Madonna opens the cape to reveal thousands of small shapes made by tiny lights, on the inside of the cape. Her backup singers join her and together they move around the stage, while singing the song. Madonna sometimes moves the cape around her and occasionally flaps it. Towards the end of the song, Madonna asked the audience if they want to hear more of her singing. After their affirmative response, Madonna sings the first line of the chorus of "Hung Up". The backdrops start changing and display stars and planets flashing across the screens amidst white lasers. The music in the song is modernized using a techno beat that slowly morphed into the synth ABBA intro of "Hung Up" (2005) when the screens also change to display disco balls. The performance was included on both the CD and the DVD version of The Confessions Tour, released in 2007. Ed Gonzalez of Slant Magazine compared Madonna's performance of "Lucky Star" as "emerging as a soul butterfly fluttering to the disco heavens during a remix of [the song] that actually makes [it] sound good." Thomas Inskeep from Stylus called the performance fresh. Christian John Wikane from was not impressed with the performance; he felt that singing the song over the newly arranged chord progression, is cold and pairing the original arrangement with the ABBA sample is "[a] match not made in heaven, though Madonna’s skin-tight, ABBA-esque jump suit is an amusing intertextualization." The 2000 album Virgin Voices: A Tribute To Madonna, Vol. 2 included a trip hop cover of the song by Switchblade Symphony. Heather Phares of Allmusic called it as one of the album's finest moments. A folk music cover of the song by Alexandra Hope, was included on the 2007 Madonna tribute compilation Through the Wilderness. "Lucky Star" was featured in the 1988 movie Running on Empty in the scene where River Phoenix's character is in music class. It was used in the 2000 British movie Snatch, directed by Guy Ritchie who fathered a child with Madonna during the making of the film. The music video of "Lucky Star" was referenced in the 1994 film "Pulp Fiction" in the scene where Maria de Medeiros' character (Fabienne) tells her boyfriend (played by Bruce Willis) that she wants a tummy "like Madonna when she did Lucky Star." Note: This song was released as a Maxi-Single only in the E.U. Credits adapted from the Madonna album liner notes.

The Breakfast Club is a 1985 American coming of age comedy-drama film written and directed by John Hughes and starring Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald, and Ally Sheedy. The storyline follows five teenagers, each a member of a different high school clique, who spend a Saturday in detention together and come to realize that they are all more than their respective stereotypes.

Critically, it is considered to be one of the greatest high school films of all time, as well as one of Hughes' most memorable and recognizable works. The media referred to the film's five main actors as members of a group called the "Brat Pack".

The cinema of the United States, often generally referred to as Hollywood, has had a profound effect on cinema across the world since the early 20th century. Its history is sometimes separated into four main periods: the silent film era, classical Hollywood cinema, New Hollywood, and the contemporary period. While the French Lumière Brothers are generally credited with the birth of modern cinema, it is indisputably American cinema that soon became the most dominant force in an emerging industry. Since the 1920s, the American film industry has grossed more money every year than that of any other country.

In 1878, Eadweard Muybridge demonstrated the power of photography to capture motion. In 1894, the world's first commercial motion picture exhibition was given in New York City, using Thomas Edison's Kinetoscope. The United States was in the forefront of sound film development in the following decades. Since the early 20th century, the U.S. film industry has largely been based in and around Hollywood, Los Angeles, California. Picture City, FL was also a planned site for a movie picture production center in the 1920s, but due to the 1928 Okeechobee hurricane, the idea collapsed and Picture City returned to its original name of Hobe Sound. Director D. W. Griffith was central to the development of film grammar. Orson Welles's Citizen Kane (1941) is frequently cited in critics' polls as the greatest film of all time.

Film Singles Don't You Forget About Me

The Brat Pack Years is a compilation CD of hit music from the very popular "Brat Pack" movies of the 1980s and was released on November 6, 2001 on the Mars Entertainment label. The album was produced by Paul Tarnopol and includes music by Simple Minds, INXS, Modern English, The Bangles, Eurythmics, Howard Jones, John Parr, General Public, Oingo Boingo, Wang Chung, Thompson Twins, Sheena Easton, Nick Heyward and Spandau Ballet.

The group of "Brat Pack" actors and actresses, which included Rob Lowe, Judd Nelson, Molly Ringwald, Emilio Estevez, Demi Moore, Ally Sheedy, Anthony Michael Hall and Andrew McCarthy, have all appeared in one or more teen oriented coming-of-age films, such as The Breakfast Club, St. Elmo's Fire and Pretty in Pink.

Entertainment Culture

A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.

In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.

Simple Minds are a Scottish rock band formed in 1977. They achieved commercial success in the early 1980s and, despite various personnel changes, continue to record and tour.

The band scored a string of hit singles, and are best known for their 1985 hit "Don't You (Forget About Me)" (UK #7, US #1, CAN #2), from the soundtrack of the John Hughes film The Breakfast Club. Their other more prominent hits include "Alive and Kicking" (UK #7, US #3, CAN #3) and "Belfast Child" (UK #1). In 1986, the band was nominated for the Brit Award for Best British Group.

Don't You Hospitality Recreation

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