Digital Underground was an alternative hip hop group from Oakland, California. Their personnel changed and rotated with each album and tour.
Digital Underground's leader and mainstay was Greg "Shock G" Jacobs (also known as Humpty Hump); Shock G formed the group in 1987 with Jimi "Chopmaster J" Dright of Berkeley, California, and Tampa hip-hop radio deejay Kenneth "Kenny-K" Waters.
Tupac Amaru Shakur (June 16, 1971 – September 13, 1996), also known by his stage names 2Pac and briefly as Makaveli, was an American rapper and actor. Shakur has sold over 75 million albums worldwide as of 2010, making him one of the best-selling music artists in the world. MTV ranked him at number two on their list of The Greatest MCs of All Time and Rolling Stone named him the 86th Greatest Artist of All Time. His double disc album All Eyez on Me is one of the best selling hip hop albums of all time.
Shakur began his career as a roadie, backup dancer, and MC for the alternative hip hop group Digital Underground, eventually branching off as a solo artist. The themes of most of Shakur's songs revolved around the violence and hardship in inner cities, racism and other social problems. Both of his parents and several other of his family were members of the Black Panther Party, whose ideals were reflected in his songs.
"The Humpty Dance" is a 1990 hip hop song by Digital Underground, which was featured on their debut album Sex Packets. The single climbed all the way to #11 on the pop charts, #7 on the R&B charts, and #1 on the Billboard Rap Singles chart. The single is sung by Shock G's alter ego, "Humpty Hump", marking the character's second musical appearance; the first being Digital Underground's "Doowutchyalike," a pre-album video-single released in the spring of 1989. The Humpty Dance features a hypnotically-pulsating bassline and a particularly potent drumtrack that has been sampled by many different artists and producers. (see list below) In the song's video, a young Tupac Shakur is visible in the background.
In 2008, "The Humpty Dance" was ranked number 30 on VH1's 100 Greatest Songs of Hip Hop and number 65 on VH1's 100 Greatest Songs of the 90s in 2007. The song was selected as one of many songs to hear and download in the musical reference book, 1001 Songs You Must Hear Before You Die: And 10,001 You Must Download. The song was nominated for Best Rap Video at the 1990 MTV Video Music Awards, but lost to "U Can't Touch This" by MC Hammer. Canadian television channel MuchMoreMusic's series Back In... rated the song's video as one of the worst of 1990.
"Master Cat; or, The Booted Cat" (early French: Le Maître Chat, ou Le Chat Botté), commonly known in English as "Puss in Boots", is a French literary fairy tale about a cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master. The tale was written at the close of the seventeenth century by Charles Perrault (1628–1703), a retired civil servant and member of the Académie française. The tale appeared in a handwritten and illustrated manuscript two years before its 1697 publication by Barbin in a collection of eight fairy tales by Perrault called Histoires ou contes du temps passé. The book was an instant success and remains popular.
Perrault's Histoires has had considerable impact on world culture. The original French title was "Histoires ou contes du temps passé, avec des moralités" with the subtitle "Les Contes de ma mère l'Oye" ("Stories or Fairy Tales from Past Times with Morals", subtitled "Mother Goose Tales"). The frontispiece to the earliest English editions depicts an old woman telling tales to a group of children beneath a placard inscribed "MOTHER GOOSE'S TALES" and is credited with launching the Mother Goose legend in the English-speaking world. "Puss in Boots" has provided inspiration for composers, choreographers, and other artists over the centuries. The cat appears in the third act pas de caractère of Tchaikovsky's ballet The Sleeping Beauty, for example, and makes appearances in other media.
Hip hop is a broad conglomerate of artistic forms that originated within a marginalized subculture in the South Bronx amongst black and Latino youth during the 1970s in New York City. It is characterized by four distinct elements, all of which represent the different manifestations of the culture: rap music (oral), turntablism or "DJing" (aural), breaking (physical) and graffiti art (visual). Despite their contrasting methods of execution, they find unity in their common association to the poverty and violence underlying the historical context that birthed the culture. It was as a means of providing a reactionary outlet from such urban hardship that "Hip Hop" initially functioned, a form of self-expression that could reflect upon, proclaim an alternative to, try and challenge or merely evoke the mood of the circumstances of such an environment. Even while it continues in contemporary history to develop globally in a flourishing myriad of diverse styles, these foundational elements provide stability and coherence to the culture. The term is frequently used mistakenly to refer in a confining fashion to the mere practice of rap music.
The origin of the culture stems from the block parties of the Ghetto Brothers when they would plug the amps for their instruments and speakers into the lampposts on 163rd Street and Prospect Avenue and DJ Kool Herc at 1520 Sedgwick Avenue, where Herc would mix samples of existing records with his own shouts to the crowd and dancers. Kool Herc is credited as the "father" of Hip hop. DJ Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, to which he coined the terms: MCing, DJing, B-boying and graffiti writing.
The Body-Hat Syndrome is the third album from the rap group Digital Underground, on which they continued to cultivate their own brand of P-Funk culture, ending more than a year of silence with a fresh batch of funk-infused rap. With the edgy grind of the leading single, "The Return of the Crazy One", and its accompanying X-rated video (reworked for public consumption) boosting the band back into the spotlight, the rest of the album unfurled to less than outstanding crossover commercial acclaim. The album's second single, an anti-racism cultural awareness politico called "Wussup Wit the Luv", featured an inspired solo from the Funkadelic guitarist Michael Hampton, as well as a verse and video appearance by Tupac Shakur. This was the last time Shakur appeared on any Digital Underground release, while the lead rappers Saafir and Clee were added to the line up.
This album also features "The Humpty Dance Awards", the group's humorous shout-out to the many artists who sampled "The Humpty Dance" before 1993. Since then the list has grown to over 50 artists (see "The Humpty Dance").
Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things, because individuals have different preferences in entertainment, most forms are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry which records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded products; to a banquet adapted for two; to any size or type of party, with appropriate music and dance; to performances intended for thousands; and even for a global audience.
The experience of being entertained has come to be strongly associated with amusement, so that one common understanding of the idea is fun and laughter, although many entertainments have a serious purpose. This may be the case in the various forms of ceremony, celebration, religious festival, or satire for example. Hence, there is the possibility that what appears as entertainment may also be a means of achieving insight or intellectual growth.
In journalism, a human interest story is a feature story that discusses a person or people in an emotional way. It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer.
Human interest stories may be "the story behind the story" about an event, organization, or otherwise faceless historical happening, such as about the life of an individual soldier during wartime, an interview with a survivor of a natural disaster, a random act of kindness or profile of someone known for a career achievement.