Question:

When babies are in the womb, what is the hair called that covers them?

Answer:

When the baby is in the womb it is not covered in hair!

More Info:

The womb veil was a 19th-century American form of barrier contraception consisting of an occlusive pessary made of rubber. It was a forerunner to the modern diaphragm and cervical cap. The name was first used by Edward Bliss Foote in 1863 for the device he designed and marketed. "Womb veil" became the most common 19th-century American term for similar devices, and continued to be used into the early 20th century. Womb veils were among a "range of contraceptive technology of questionable efficacy" available to American women of the 19th century, forms of which began to be advertised in the 1830s and 1840s. They could be bought widely through mail-order catalogues; when induced abortion was criminalized in the United States during the 1870s, reliance on birth control increased. Womb veils were touted as a discreet form of contraception, with one catalogue of erotic products from the 1860s promising that they could be "used by the female without danger of detection by the male."

The use of rubber pessaries for contraception likely arose from the 19th-century practice of correcting a prolapsed uterus with such a device; the condition seems to have been far more frequently diagnosed than its incidence would warrant, and at times may have been a fiction for employing a pessary for birth control. As with the production of condoms for men, the development of vulcanized rubber by Charles Goodyear helped make barrier contraceptives for women more reliable and inexpensive. Other terms for the contraceptive diaphragm were "female preventatives", "female protectors", "Victoria's protectors", and the "French pessary" ("F.P.") or "pessaire preventif". This linguistic variety, some of it euphemistic, makes it difficult to distinguish in the literature among diaphragms, cervical caps, female condoms, and other pessaries; one form of "womb veil" is described in 1890 as "like a ring pessary covered by a membraneous envelope." Another source in 1895 describes it as "a small soft rubber cup surrounded at the brim by a flexible rubber ring about an inch or inch and a quarter in diameter."

Hair Hairdressing

Kuman Thong (Thai: กุมารทอง) is an effigy, or statue which is revered in Thailand by Animists. The statue is believed to bring luck and fortune to the owner, if properly revered. Kuman, or Kumara (Pali) means “young boy” (young girl would be “Kumaree”); Tong means golden. Kuman thong (alternatively spelled as "Kumarn,or Kuman), is not a Buddhist practice, rather pure “Saiyasart”or "black magic" (Occultism, in this case, Necromancy). It would also be accurate to class the practice of keeping Kuman thong as an essentially Animist practice. The genuine Kuman Thong which was revered and created in Ancient times according to traditional method, by Adept practitioners of Saiyasart, was made by surgically removing the unborn fetus from the womb of its Mother. The body of the child would then be taken to a cemetery for the conduction of the Ceremony to invoke a Kuman Thong. The body is roasted until dry whilst the Mage chants incantations of Magical Kata. In the case of making a female spirit child, the effigy is not called Kuman Tong, rather “Hong Pray”.

Some Kuman effigies will be soaked in Nam Man Prai,Buddha Magic Thai Mystical Ezine, 2010, Issue 2(E-Magazine), Littlewood, Spencer which has extract of a dead child or a person who died in violent circumstances or an unnatural death. This is much less common now, because this practice is now illegal if using fat from human babies for the consecrating oil. There are however still some authentically made amulets appearing. Some years ago a famous monk was thrown out of the Buddhist Sangha for roasting a baby. He was convicted, but later continued to make magic as a layperson after his release. The practice of creating Necromantic effigies of a Kuman Tong comes from age old tradition in Siam. Thai folk have made Bucha to Animistic spirits and ghosts since time immemorial. The original Kuman Tong came from children who died whilst still in their mothers womb. The Magic makers would take these stillborn babies and adopt them as their children.


Human Interest

In journalism, a human interest story is a feature story that discusses a person or people in an emotional way. It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer.

Human interest stories may be "the story behind the story" about an event, organization, or otherwise faceless historical happening, such as about the life of an individual soldier during wartime, an interview with a survivor of a natural disaster, a random act of kindness or profile of someone known for a career achievement.

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