The Babylonians, who exhibited polytheism, believe that the gods are limited in power and divided from one another, and this is told in The Epic of Gilgamesh and the Flood story. AnswerParty!
The Fertile Crescent is a crescent-shaped region containing the comparatively moist and fertile land of otherwise arid and semi-arid Western Asia, and the Nile Valley and Nile Delta of northeast Africa. The term was popularized by University of Chicago archaeologist James Henry Breasted. Having originated in the study of ancient history, the concept soon developed and today retains meanings in international geopolitics and diplomatic relations.
In current usage, the Fertile Crescent has a minimum extent and a maximum extent. All definitions include Mesopotamia, the land in and around the Tigris and Euphrates rivers. The modern-day countries with significant territory within the Fertile Crescent are Iraq, Kuwait, Syria, Lebanon, Jordan, Egypt, Israel, and Occupied Palestinian territories, besides the southeastern fringe of Turkey and the western fringe of Iran.
Epic of Gilgamesh
Mesopotamian religion refers to the religious beliefs and practices followed by the Sumerian and East Semitic Akkadian, Assyrian, Babylonian and Chaldean peoples living in Mesopotamia (approximately the area of modern Iraq and north east Syria) that dominated the region for a period of 4,200 years from the fourth millennium BCE throughout Mesopotamia to approximately the 10th century CE in Assyria.
Polytheism was the only religion in ancient Mesopotamia for thousands of years before entering a period of gradual decline beginning in the 1st century CE. This decline happened in the face of the introduction of native Eastern Rite forms of Christianity, as well as Manicheanism and Gnosticism, and continued for approximately three to four centuries, until most of the original religious traditions of the area died out, with the final traces existing among some Assyrian communities until the 10th century CE.
The Epic of Gilgamesh, an epic poem from Mesopotamia, is amongst the earliest surviving works of literature. The literary history of Gilgamesh begins with five independent Sumerian poems about 'Bilgamesh' (Sumerian for Gilgamesh), king of Uruk. Four of these were used as source material for a combined epic in Akkadian. This first combined epic, known as the "Old Babylonian" version, dates to the 18th century BC and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few fragments of it have survived. The later "Standard Babylonian" version dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru ("He who Saw the Deep", in modern terms: 'He who Sees the Unknown). Fragments of approximately two thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal.
The first half of the story relates a friendship between Gilgamesh, king of Uruk, and Enkidu. Enkidu is a wild man created by the gods as Gilgamesh's peer to distract him from oppressing the people of Uruk. Together, they journey to the Cedar Mountain to defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven, which the goddess Ishtar sends to punish Gilgamesh for spurning her advances. As a punishment for these actions, the gods sentence Enkidu to death.
Western Asia, or Southwest Asia, are terms that describe the westernmost portion of Asia. The terms are partly coterminous with the Middle East, which describes a geographical position in relation to Western Europe rather than its location within Asia. Due to this perceived Eurocentrism, international organizations such as the United Nations, have replaced Middle East and Near East with Western Asia. This region and Europe are collectively referred to as Western Eurasia.
A flood myth or deluge myth is a symbolic narrative in which a great flood is sent by a deity, or deities, to destroy civilization in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primeval waters found in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, in preparation for rebirth. Most flood myths also contain a culture hero, who strives to ensure this rebirth. The flood myth motif is widespread among many cultures as seen in the Mesopotamian flood stories, the Puranas, Deucalion in Greek mythology, the Genesis flood narrative, and in the lore of the K'iche' and Maya peoples of Central America, the Lac Courte Oreilles Ojibwa tribe of Native Americans in North America, and the Muisca people in South America.
Gilgamesh flood myth
Shotaro Ishinomori (石ノ森 章太郎 Ishinomori Shōtarō, January 25, 1938 – January 28, 1998) was a Japanese manga artist who became an influential figure in manga, anime, and tokusatsu, creating several immensely popular long-running series such as Cyborg 009 and Himitsu Sentai Gorenger, what would go on to become part of the Super Sentai series, and the Kamen Rider Series. He was twice awarded by the Shogakukan Manga Award, in 1968 for Sabu to Ichi Torimono Hikae and in 1988 for Hotel and Manga Nihon Keizai Nyumon. He was born and named Shotaro Onodera (小野寺 章太郎 Onodera Shōtarō) in Tome, Miyagi, and was also known as Shotaro Ishimori (石森 章太郎 Ishimori Shōtarō) before 1986, when he changed his family name to Ishinomori with "ノ".
The Gilgamesh flood myth is a flood myth in the Epic of Gilgamesh. Many scholars believe that the flood myth was added to Tablet XI in the "standard version" of the Gilgamesh Epic by an editor who utilized the flood story from the Epic of Atrahasis. A short reference to the flood myth is also present in the much older Sumerian Gilgamesh poems, from which the later Babylonian versions drew much of their inspiration and subject matter.
A disaster is a natural or man-made (or technological) hazard resulting in an event of substantial extent causing significant physical damage or destruction, loss of life, or drastic change to the environment. A disaster can be ostensively defined as any tragic event stemming from events such as earthquakes, floods, catastrophic accidents, fires, or explosions. It is a phenomenon that can cause damage to life and property and destroy the economic, social and cultural life of people.
In contemporary academia, disasters are seen as the consequence of inappropriately managed risk. These risks are the product of a combination of both hazard/s and vulnerability. Hazards that strike in areas with low vulnerability will never become disasters, as is the case in uninhabited regions.