Religious Identity is a specific type of identity formation. Particularly, it is the sense of group membership to a religion and the importance of this group membership as it pertains to one's self-concept. Religious identity is not necessarily the same as religiousness or religiosity. Although these three terms share a commonality, religiousness and religiosity refer to both the value of religious group membership as well as participation in religious events (e.g. going to church). Religious identity, on the other hand, refers specifically to religious group membership regardless of religious activity or participation.
Similar to other forms of identity formation, such as ethnic and cultural identity, the religious context can generally provide a perspective from which to view the world, opportunities to socialize with a spectrum of individuals from different generations, and a set of basic principles to live out. These foundations can come to shape an individual's identity.
The term black people is an everyday English-language phrase, often used in North America to refer to Americans and Canadians of Sub-Saharan African descent. Outside North America, the term "black people", or close translations of it, is also used in other socially based systems of racial classification, or of ethnicity for persons who are perceived to be dark-skinned relative to other "racial" groups – or else who are defined as belonging to a "black" ethnicity in the country.
Different societies, such as Australia, Brazil, the United Kingdom, the United States, and South Africa apply differing criteria regarding who is classified as "black", and these have also varied over time. Often social variables, such as class and socio-economic status, affect classification, so that relatively dark-skinned people can be classified as white if they fulfill other social criteria of "whiteness," and relatively light-skinned people can be classified as black if they fulfill the social criteria for "blackness" in a particular setting. As a result, in North America, for example, the term "black people" is not necessarily an indicator of skin color but of a socially based racial classification related to being African American, with a family history related to institutionalized slavery. In other regions, such as Australia and Melanesia, the term "black" has been applied to, and used by, populations with a very different history.
Human skin color ranges in variety from the darkest brown to the lightest pinkish-white hues. Human skin pigmentation is the result of natural selection. Skin pigmentation in human beings evolved to primarily regulate the amount of ultraviolet radiation penetrating the skin, controlling its biochemical effects.
The actual skin color of different humans is affected by many substances, although the single most important substance determining human skin color is the pigment melanin. Melanin is produced within the skin in cells called melanocytes and it is the main determinant of the skin color of darker-skinned humans. The skin color of people with light skin is determined mainly by the bluish-white connective tissue under the dermis and by the haemoglobin circulating in the veins of the dermis. The red color underlying the skin becomes more visible, especially in the face, when, as consequence of physical exercise or the stimulation of the nervous system (anger, fear), arterioles dilate.
According to the Hebrew Bible, the Tribe of Judah (Hebrew: יְהוּדָה, Modern Yehuda Tiberian Yəhûḏā ; "Praise") was one of the Tribes of Israel.
Following the completion of the conquest of Canaan by the Israelite tribes after about 1200 BC, Joshua allocated the land among the twelve tribes.
Authenticity in art has a variety of meanings related to different ways in which a work of art or an artistic performance may be considered authentic. Denis Dutton distinguishes between nominal authenticity and expressive authenticity. The first refers to the correct identification of the author of a work of art, to how closely a performance of a play or piece of music conforms to the author's intention, or to how closely a work of art conforms to an artistic tradition. The second sense refers to how much the work possesses original or inherent authority, how much sincerity, genuineness of expression, and moral passion the artist or performer puts into the work.
A quite different concern is the authenticity of the experience, which may be impossible to achieve. A modern visitor to a museum may not only see an object in a very different context from that which the artist intended, but may be unable to understand important aspects of the work. The authentic experience may be impossible to recapture.
The ten lost tribes refers to the ten of the twelve tribes of ancient Israel that were deported from the Kingdom of Israel after it was conquered by Assyria in about 722 BCE. Claims of descent from the lost tribes have been proposed in relation to many groups, and some religions espouse a millenarian view that the tribes will return.
Tudor Parfitt has declared that "the Lost Tribes are indeed nothing but a myth", and writes that, "...this myth is a vital feature of colonial discourse throughout the long period of European overseas empires, from the beginning of the fifteenth century, until the later half of the twentieth.