Question:

What name did sebastian give the childlike empress in neverending story?

Answer:

The name that Bastian calls out in The Never Ending Story referring to the Childlike Princess is "Moon Child." AnswerParty on!

More Info:

empress Literature Anthroposophy

The Neverending Story (German: Die unendliche Geschichte) is a German fantasy novel by Michael Ende, first published in 1979. The standard English translation, by Ralph Manheim, was first published in 1983. The novel was later adapted into several films.

The majority of the story takes place in the parallel world of Fantastica (Phantásien in the original German version; referred to as Fantasia in the films), a world being destroyed by the Nothing, a mysterious force. The first protagonist is a young warrior who is asked by the Empress of Fantastica to set off and find a way to stop the Nothing; the other protagonist is a boy from the real world, a reader of a novel with the same title, for whom the story gradually becomes more and more realistic.

Film Moonchild

Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things, because individuals have different preferences in entertainment, most forms are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry which records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded products; to a banquet adapted for two; to any size or type of party, with appropriate music and dance; to performances intended for thousands; and even for a global audience.

The experience of being entertained has come to be strongly associated with amusement, so that one common understanding of the idea is fun and laughter, although many entertainments have a serious purpose. This may be the case in the various forms of ceremony, celebration, religious festival, or satire for example. Hence, there is the possibility that what appears as entertainment may also be a means of achieving insight or intellectual growth.

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