The set list for Phish, on December 31, 1996 include "Axilla pt. 1", "Peaches en Regalia", "Punch You in the Eye", "Cars Trucks Buses", "Stash", "The Horse", "Silent in the Morning", "The Divided Sky", "Sample in a Jar", and "Chalk Dust Torture".
"The Horse" is an American instrumental song by Cliff Nobles and Company. It was released as the B-side of the single "Love is All Right" and is simply an instrumental version of that song. "The Horse" made an improbable trip up the pop music charts, peaking at #2 on the U.S. Billboard Hot 100 chart in June 1968, as well as #2 on the Black Singles chart. The song missed the top spot on the Hot 100 because of the success of Herb Alpert's "This Guy's in Love With You" from 29 June through 13 July 1968.
"The Horse" sold a million copies within three months of release, and attained the gold record award from the Recording Industry Association of America in August 1968. Ironically, even though Nobles is the title artist, he does not personally perform on the track. "The Horse" was simply "Love is All Right" without his vocal track. The horn section which is featured eventually became the group MFSB.
Phish in Hampton
A concert is a live performance (typically of music) before an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, a choir, or a musical band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, entertainment centres and parks to large multipurpose buildings, and even sports stadiums. Indoor concerts held in the largest venues are sometimes called "arena concerts" or "amphitheatre concerts". Regardless of the venue, musicians usually perform on a stage. Concerts often require live event support with professional audio equipment. Before recorded music, concerts would provide the only opportunity one would generally have to hear musicians play. Informal names for a concert include "show" and "gig".
Phish in Hampton was a series of three consecutive Phish shows played in the Hampton Coliseum on March 6, 7, and 8th of 2009. These shows marked the first time the band had played together since their breakup in August 2004. It was estimated that just under 14,000 were in attendance at each of the three shows. Phish keyboardist, Page McConnell, commented on the excitement from the audience by saying, “The crowd was so loud I could not hear myself.” Also, drummer, Jon Fishman, said, "Our band had driven itself into a ditch. We had to establish credibility with people again."
American rock band Phish is one of the most successful live acts in popular music history, forging a popularity in concert far greater than their album sales, radio airplay, or music video presence would otherwise indicate. Phish tours, at the peak of their popularity in the mid to late 1990s, consistently ranked as one of the highest-grossing concert tours in the world.
One of the major factors of Phish's live success was the fact that every show in the band's history contained a completely different song setlist. Throughout 21 years and over a thousand shows, the band never played the same concert setlist twice. Additionally, many Phish songs were rarely played the same way twice. This unique approach to live performance influenced Phish fans to attend multiple nights on a particular tour, much like sports fans buying season tickets, since they were guaranteed a completely different concert on a nightly basis. Phish fans recorded the band's concerts (with permission) and circulated the music throughout the country. Therefore, fans could collect large numbers of live recordings free of charge, a practice encouraged by the taper-friendly band. Guitarist Trey Anastasio considered it "free advertising" since it enabled the band's music to be distributed and traded all over the United States and, eventually, the rest of the world.
A tribute album is a recorded collection of cover versions of songs or instrumental compositions. Its concept may be either various artists making a tribute to a single artist, a single artist making a tribute to various artists, or a single artist making a tribute to another single artist.
There have been tributes or covers recorded since before the first albums became technically feasible; Enrico Caruso's 1907 recordings of Ruggero Leoncavallo's opera Pagliacci are one early example. The birth of the 'modern' tribute album is often credited to record producer Hal Willner with the Amarcord Nino Rota LP in 1981. He followed up with tributes to Thelonious Monk, Disney cartoons, Kurt Weill, Charles Mingus and Harold Arlen.
Rock music is a genre of popular music that originated as "rock and roll" in the United States in the 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and the United States. It has its roots in 1940s' and 1950s' rock and roll, itself heavily influenced by rhythm and blues and country music. Rock music also drew strongly on a number of other genres such as blues and folk, and incorporated influences from jazz, classical and other musical sources.
Musically, rock has centered on the electric guitar, usually as part of a rock group with bass guitar and drums. Typically, rock is song-based music usually with a 4/4 time signature utilizing a verse-chorus form, but the genre has become extremely diverse and common musical characteristics are difficult to define. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. The dominance of rock by white, male musicians has been seen as one of the key factors shaping the themes explored in rock music. Rock places a higher degree of emphasis on musicianship, live performance, and an ideology of authenticity than pop music.