Montezuma was either killed by a rock in the head from a crowd of his own people, or he was stabbed by the Spaniards, depending on who tells the story. AnswerParty again!
The Indian Emperour, or the Conquest of Mexico by the Spaniards, being the Sequel of The Indian Queen is an English Restoration era stage play, a heroic drama written by John Dryden that was first performed in the Spring of 1665. The play has been considered a defining work in the sub-genre of heroic drama, in which "rhymed heroic tragedy comes into full being." As its subtitle indicates, the play deals with the Spanish conquest of the Aztec Empire under Hernán Cortés.
The premiere production was staged by the King's Company at the Theatre Royal, Drury Lane; it featured Michael Mohun as the Emperor, Charles Hart as Cortez, Edward Kynaston as Guyomar, Nicholas Burt as Vasquez, William Wintershall as Odmar, William Cartwright as the Priest, and Anne Marshall as Almeria. The original production employed a "gorgeously feathered cloak" that Aphra Behn had brought back from Surinam, along with "glorious wreaths for...heads, necks, arms, legs." Dryden spiced his play with crowd-pleasing features, including incantations and conjured spirits, and an elaborate grotto scene with "a Fountain spouting."
Carlos Montezuma or Wassaja (born c.1866; died 1923) was a Yavapai-Apache activist and a founding member of the Society of American Indians.
Wassaja means "Signaling" or "Beckoning" in his native tongue.
Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things, because individuals have different preferences in entertainment, most forms are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry which records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded products; to a banquet adapted for two; to any size or type of party, with appropriate music and dance; to performances intended for thousands; and even for a global audience.
The experience of being entertained has come to be strongly associated with amusement, so that one common understanding of the idea is fun and laughter, although many entertainments have a serious purpose. This may be the case in the various forms of ceremony, celebration, religious festival, or satire for example. Hence, there is the possibility that what appears as entertainment may also be a means of achieving insight or intellectual growth. Emperor