Question:

What do you think is meant by the statement that the french revolution let the genie out of the bottle? UNfOrqEtaBLee..<33?

Answer:

The USSR kept the lid on things in their sphere of influence. We let the Genie out of the bottle and then we broke the bottle.

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Genie Gets Her Wish is a music DVD by Christina Aguilera, released in 2000. It features her performing her #1 single, "Genie in a Bottle", rare studio footage, live concert performances and exclusive peeks backstage. The DVD was certified Platinum by the RIAA. It peaked at number 1 in Sweden. Christina told the MTV Radio Network about the DVD: Sigismondi explained: "It will be interesting to see all the kinds of sides of me. Cause you do get to see me onstage, you know, 'Christina Aguilera onstage.' "But then, what happens whenever the cameras (are) off?" she continued. "She goes home, takes off her makeup, and gets ready for bed? You know, (what happens) after all these fans are done (with the show) and after she's done meeting them and signing autographs? What's she like? I'm a really different person aside from I seem to be publicly," she concluded. "I'm very, very introverted. " Photo gallery Bonus music videos Chapter selections Web links
A wash bottle is a squeeze bottle with a nozzle, used to rinse various pieces of laboratory glassware, such as test tubes and round bottom flasks. Wash bottles are sealed with a screw-top lid. When hand pressure is applied to the bottle, the liquid inside becomes pressurized and is forced out of the nozzle into a narrow stream of liquid. Most wash bottles are made up of polyethylene, which is a flexible solvent-resistant petroleum-based plastic. Most bottles contain an internal dip tube allowing upright use. Wash bottles may be filled with a range of common laboratory solvents and reagents, according to the work carried out in that lab. These include: deionized water, detergent solutions and rinse solvents such as acetone, isopropanol or ethanol. In biological labs it is common to keep sodium hypochlorite solution in a wash bottle to conveniently disinfect unneeded cultures. Wash bottles made of glass composed of flask with flat bottom and wash bottle head TS 29/32 with capacity 500 or 1000 ml. As is always the case when transferring reagents between containers, for safety always ensure the label on the wash bottle matches the contents of the bottle, and do not mix reagents or return them to the original container. Additionally, wash bottles are not appropriate for long term storage and must never be used for dangerous reagents. Volatile liquids such as acetone or methanol require a bleed hole to reduce dribbling – often a vent is integrated into the top of the internal straw.
A bottle is a rigid container with a neck that is narrower than the body and a "mouth". By contrast, a jar or jug has a relatively large mouth or opening which may be as wide as the overall container. Bottles are often made of glass, clay, plastic, aluminum or other impervious materials, and typically used to store liquids such as water, milk, soft drinks, beer, wine, cooking oil, medicine, shampoo, ink, and chemicals. A device applied in the bottling line to seal the mouth of a bottle is termed an external bottle cap, closure, or internal stopper. A bottle can also be sealed by a conductive "innerseal" by using induction sealing. The bottle has developed over millennia of use, with some of the earliest examples appearing in China, Phoenicia, Rome and Crete. The Chinese used bottles to store liquids. Bottles are often recycled according to the SPI recycling code for the material. Some regions have a legally mandated deposit which is refunded after returning the bottle to the retailer. First attested in English in the 14th century, the word bottle derives from old French boteille, which comes from vulgar Latin butticula, itself from late Latin buttis meaning "cask", which is perhaps the latinisation of the Greek βοῦττις (bouttis), "vessel". Since prehistoric times, bottle containers were created from clay or asphaltum sealed woven containers. Early glass bottles were produced by the Phoenicians; specimens of Phoenician translucent and transparent glass bottles have been found in Cyprus and Rhodes generally varying in length from three to six inches. These Phoenician examples from the first millennium BC were thought to have been used for perfume. The Romans learned glass-making from the Phoenicians and produced many extant examples of fine glass bottles, mostly relatively small. The glass bottle was an important development in the history of wine, because, when combined with a high-quality stopper such as a cork, it allowed long-term aging of wine. Glass has all the qualities required for long-term storage. It eventually gave rise to "château bottling", the practice where an estate's wine is put in a bottle at the source, rather than by a merchant. Prior to this, wine would be sold by the barrel (and before that, the amphora) and put into bottles only at the merchant's shop, if at all. This left a large and often abused opportunity for fraud and adulteration, as the consumer had to trust the merchant as to the contents. It is thought that most wine consumed outside of wine-producing regions had been tampered with in some way. Also, not all merchants were careful to avoid oxidation or contamination while bottling, leading to large bottle variation. Particularly in the case of port, certain conscientious merchants' bottling of old ports fetch higher prices even today. To avoid these problems, most fine wine is bottled at the place of production (including all port, since 1974). There are many sizes and shapes of bottles used for wine. Some of the known shapes: In 1872, British soft drink maker Hiram Codd of Camberwell, London, designed and patented a bottle designed specifically for carbonated drinks. The Codd-neck bottle was designed and manufactured to enclose a marble and a rubber washer/gasket in the neck. The bottles were filled upside down, and pressure of the gas in the bottle forced the marble against the washer, sealing in the carbonation. The bottle was pinched into a special shape, as can be seen in the photo to the left, to provide a chamber into which the marble was pushed to open the bottle. This prevented the marble from blocking the neck as the drink was poured. Soon after its introduction, the bottle became extremely popular with the soft drink and brewing industries, mainly in Europe, Asia and Australasia, though some alcohol drinkers disdained the use of the bottle. One etymology of the term codswallop originates from beer sold in Codd bottles, though this is generally dismissed as a folk etymology. The bottles were regularly produced for many decades, but gradually declined in usage. Since children smashed the bottles to retrieve the marbles, they are relatively rare and have become collector items; particularly in the UK. A cobalt-coloured Codd bottle today fetches thousands of British pounds at auction.][ The Codd-neck design is still used for the Japanese soft drink Ramune and in the Indian drink called Banta. Plastic bottles range from very small sample bottles to large carboys. The plastic is strain oriented in the stretch blow molding manufacturing process. A PET bottle A bioplastic shampoo bottle made of PLA-blend bio-flex Chinese ding-ware porcelain bottle (far left) with iron-tinted pigment under a transparent colorless glaze, 11th century, Song Dynasty Reusable glass milk bottles Pontiled soda or beer "blobtop" bottle, circa 1855 Bocksbeutel bottle Two bottles for Maas wine, called "thieves", 18th century, at the Gourmet Museum and Library, Hermalle-sous-Huy, Belgium A bottle wall of an earthship bathroom
The Brass Bottle is a 1964 American fantasy film about a modern man who accidentally acquires a djinn. Though the word is commonly translated into English as "genie", author F. Anstey made a distinction between the two in the novel of the same name (originally published in 1900) which provides the basis of the film. The film starred Tony Randall, Burl Ives and Barbara Eden. Eden's role was instrumental in getting her cast as the star of the TV series I Dream of Jeannie, even though she did not play a djinn in this film. Architect Harold Ventimore (Tony Randall) buys an antique that turns out to contain a djinn named Fakrash (Burl Ives). However, Fakrash has been away a long time, and his unfamiliarity with the modern world causes all sorts of problems when he tries to please his new master. Ventimore ends up in a great deal of trouble, including with his girlfriend, Sylvia Kenton (Barbara Eden). The New York Times critic A. H. Weiler dismissed it as "one of the duller fantasies dreamed up by Hollywood's necromancers." The Brass Bottle was released on DVD for Region 1 (U.S. and Canada only) as part of the Universal Vault Series in January 2010. Two prior versions of Anstey's novel were filmed. Both were silent and bore the same name. They were released in 1914 and 1923. This film was remade into Tamil by Javar Sitaraman as Pattanathil Bhootham or Ghost in the City in 1964.
The Safe bottle lamp, called sudeepa or sudipa for good lamp, is a safer kerosene lamp designed by Wijaya Godakumbura of Sri Lanka. The safety comes from heavier glass, a secure screw-on metal lid, and two flat sides which prevent it from rolling if knocked over. As surgeon Dr. Godakumbura saw many burn cases caused by kerosene lamp fires. Over 1 million homes in Sri Lanka do not have electricity, and rely on kerosene lamps for illumination, often improvised lamps made from bottles. These tall lamps tip easily, and when they do, the wick holder often falls out and starts a sudden, intense fire. Often the fuel falls on a nearby person, setting them ablaze and resulting in severe burns, often fatal. In 1992, Dr. Godakumbura set out to design a new lamp that was both safer, and inexpensive enough to be affordable by the impoverished Sri Lankans at risk for these fires. The resulting lamp is a small, flattened sphere, which resists tipping and rolling. It is made of thick glass to resist breaking, and has a screw-on metal cap that holds the wick in place and prevents spilling. In 1993, with contributions from numerous sources, including Science Fiction writer and Sri Lanka resident Arthur C. Clarke, and the Canadian High Commission, the lamp was put into production. Available for a cost of less than US$0.25 each, over half a million of the new lamps have been sold, and Dr. Godakumbura hopes to continue producing the new lamps until use of improvised lamps drops to a small percentage of lamp use in Sri Lanka. Having received a Rolex Award for Enterprise in 1998, Dr. Godakumbura established the Safe Bottle Lamp Foundation (SBLF), a non-profit organization. The Foundation is governed by a board of directors and employs two full-time staff . In addition to the Rolex Award, the foundation and Dr. Godakumbura have received a range of other local and international awards and grants. Among these are a Lindbergh Foundation Grant and a BBC World Challenge Award. The project has been featured in many international publications such as TIME, Newsweek, Science and Nature, National Geographic and La Figaro. Dr. Godakumbura has represented the foundation in many international conferences on burn and accident prevention as a speaker or as a participant. The foundation and the Sudeepa lamp have been promoted as a replicable solution for other developing countries where accidental burns due to unsafe lamps is prevalent.
"Genie in a Bottle" is a song recorded by American recording artist Christina Aguilera, taken from her self-titled debut album (1999). It was written and produced by Steve Kipner and David Frank, with additional writing from Pamela Sheyne. Following the recording of "Reflection" for Disney's animated film Mulan in 1998, RCA Records decided to approach Aguilera to record materials for her debut album during February 1999. The song was released on June 22, 1999 by the label as the lead single from the album. "Genie in a Bottle" is a teen pop and dance-pop track which incorporates elements from R&B. Lyrically, it uses sexual references to present the theme of self-respect. Due to the sexual sounds, the song sparks controversy from media outlets, as it was edited on radio stations for younger children. Upon its release, "Genie in a Bottle" received generally favorable reviews from contemporary music critics. They found the track mature, clever, and provocative; some of whom complimented Aguilera's vocals on the track. It was one of the materials to help Aguilera won a Grammy Award for Best New Artist at the 2000 ceremony. Commercially, the single achieved international success, peaking within the top five of most of the charts worldwide. The song peaked atop the US Hot 100Billboard chart, where it remained for five consecutive weeks and was certified platinum by the Recording Industry Association of America (RIAA), having sold more than 1.4 million copies in the country. To date, "Genie in a Bottle" has sold over 7 million copies, becoming one of the best-selling singles of all time. An accompanying music video for "Genie in a Bottle" was directed by Diane Martel, who also previously directed Mariah Carey's "Dreamlover". The video was shot in Malibu, California, showing Aguilera with her friends go to a beach party with some boyfriends. Upon its release, the clip garnered positive feedback from critics and gained many plays on music channels such as VH1, BET and Total Request Live (TRL), spending 65 days within the top ten chart of TRL. "Genie in a Bottle" has been widely recognized as one of Aguilera's signature songs, and was credited with establishing her name to the music industry. Two alternative versions of the song were made, a Spanish version entitled "Genio Atrapado" for her Spanish album Mi Reflejo (2000) and an electropop styled version called "Genie 2.0" from her first greatest hits album Keeps Gettin' Better: A Decade of Hits (2008). After receiving notification that the final season of The New Mickey Mouse Club (1993–94) would air, Aguilera became determined to release her debut studio album by the time she completed high school during 1994–95. She began recording sessions with producers Roberts Alleca and Michael Brown, but was displeased with the current pace of her career. Despite being offered free studio time with Alleca and Brown, Aguilera ventured to Japan in an effort to boost her career. While there, the pair offered her the opportunity to collaborate with Japanese pop star Keizo Nakanishi on the track "All I Wanna Do" (1994), though the experience failed to achieve commercial success. As her international successes broadened, Aguilera caught the attention of future manager Steve Kurtz; she had previously had a spoken agreement with Ruth Inniss, which subsequently never came to be. Kurtz spent much of his time devoted to finding Aguilera a record deal, sending demos to multiple companies. Just as communications with RCA Records began, she was offered the chance to record "Reflection", the theme song for the 1998 Disney film Mulan. Its success landed her a multi-album recording contract. RCA's financial state prevented them from contending with major labels at the time. In an attempt to encourage Aguilera to sign with them and maintain the hype surrounding "Reflection", they offered to record and release her debut studio album by January 1999, though such an arrangement ultimately failed to happen. Originally, Aguilera "wasn't too crazy" about the demo recording for "Genie in a Bottle", though she eventually became "proud" of the end result. RCA executive Ron Fair sympathized with her reaction to the release and inclusion of the track, finding that the marketing decision would be to release a "sugar candy" number one single, something that wasn't necessarily a "great song" so that her career could strengthen. EMI executive Carla Ondrasik introduced two of her most prominent songwriters, David Frank and Steve Kipner. They began working together, and later collaborated with writer Pamelia Sheyne. The evening before their songwriting appointment, Frank awoke with an idea for a song which consisted of an eight bar loop with "a lot of different changes". When presenting the track to Sheyne, she performed the lyrics "If you want to be with me", which Frank liked. The three writers continued adding lyrics to a "really fast" writing session; they agreed that intellect was an afterthought, with the main intention to create a "hit song". They agreed they a female should serve as the lead singer, at which point Frank recommended that Aguilera record the track. Aguilera contributed a spoken hook for the song, commenting that there "wasn't enough time" between the Mulan soundtrack and Christina Aguilera recording sessions for her to provide lyrical offerings. She later claimed that she had a substantial role in the track's production, stating that she adjusted instruments and lyrics after being displeased with its "rough beginnings". Originally presented as "If You Want to Be With Me", Aguilera's management suggested the final name "Genie in a Bottle". The title was conceived to present an Arabian theme, which the label felt they could market with beaded jewelry and clothing to develop the record's theme. Prior to being recorded by Aguilera, the track received much interest from the writers of the up-and-coming girl group Innocence, who felt that the band was more likely to make the song a hit. However, after RCA Records executive Ron Fair pushed for the track, the writers allowed Aguilera to record the track, and had "no doubt" she was the right performer after she completed the recording. The demo track that the record company had heard originally was used as a basis for Aguilera's actual recording as she simply replaced the vocals on the demo with her own before the writers and producers edited it for improvement, however after the first recording was completed they felt her vocals were too "hard" sounding and a second proved to be "softer" which they had wished for. Kipner co-writer of the track was impressed by Aguilera's performance of complex R&B lines during the recording of the track, something he only saw in older artists comparing her vocals to that of; Chaka Khan, Etta James and Mariah Carey. The recording of "Genie in a Bottle" was detailed in an article by Sound on Sound in which David Frank described the development of the track. Before Frank had met Aguilera most of "Genie in a Bottle" had already been completed, he had heard a tape delivered by RCA featuring Aguilera's performance of "Reflection" but Frank feared she could not perform in a "hip-hop orientated style". The instrumental for "Genie in a Bottle" was almost complete before the entire composition had been finished, it was only when he was contacted by songwriter Pam Sheyne that they progressed in writing the track and later Frank contacted Steve Kipner "a good friend" of his, and after agreeing to collaborate the three continued writing "Genie in a Bottle". "Genie in a Bottle" is a teen pop and dance-pop song It was record with publications noting the youthful message with The New York Times saying "One of the summer's catchiest singles captures the moment's anxieties about teen-age sex". The track has been described as "blue-eyed-soul" and has been labelled "a skittish dance hit, propelled by indecision "My body's saying let's go [...] but my heart is saying no"". The chorus then plays with "bubbly dance beats" as Aguilera metaphorically describes herself as a Genie trapped, and can only be released when rubbed "the right way". She explained "If you listen to the words "My body's saying let's go but my heart is saying no". My heart is saying no. So it's really a song about self-respect and treating me the way I want to be treated before I just give my love away to anybody". Sexual references also come from the "oohs and ahs" in addition to the R&B ad-libbing, celebrities such as Debbie Gibson spoke out against the song saying she was "horrified" with the lyricism being performed by an 18-year-old, the comment went on to upset Aguilera who found her being a female was restricting what she could perform. Lyricism in the track had sexual references which saw controversy arise, Larry Flick from Billboard commented, "Fueled by a chugging groove and richly layered vocals, the tune is punctuated by a breathy command to "rub me the right way"", Aguilera explained "the song is not about sex, It's about self-respect. It's about not giving in to temptation until you're respected. In Malaysia the controversial lyrics gained it a ban which led Aguilera to re-record some of the lyrics such as; "hormones racing" to "heart-beats racing" and "rub the right way" to "treat me the right way". 'Genie', [Aguilera's] ubiquitous first single, became an instant hit due to its catchy chorus and Aguilera's appeal. Besides being her first hit single, the song also separated her from the other pop stars that were coming out at the same time. The single boasted debatably provocative lyrics ('my body's saying let's go' and other lyrics were considered too provocative to be sung by a teen idol some thought. Radio Disney played a censored version of the song on their station). Aguilera quickly established she was different than your typical pop star." Tom Lanham of Entertainment Weekly gave the song a B+ rating referencing the predictability after other performers from the Mickey Mouse Club writing "Yet another ex-Mouseketeer scampers down the Britney-pop path with a suggestive synth ditty and a husky voice well beyond her 18 years." Lanham wrote her vocal performance is "uncomfortably adult" and called the track "a sinfully sweet confection". A writer for the Pittsburgh Post-Gazette gave the song a positive review calling it a "smoldering soul-pop" track and described Aguilera's vocals as being "provocative" whilst calling the song a "pleasure" to listen to. In a review for the album Christina Aguilera critic Robert Christgau called the song a "dazzling clever piece of teen self-exploration cum sexploitation". Nana-Adwoa Ofori of the AOL Radio blog listed the song as her top Christina Aguilera song declaring it as her "signature" track. A writer from Daily News found Aguilera to be more capable vocally than the tracks limits but found the track to be a "a slice of thumping sensuality". Nicole Hogsett of Yahoo! found the song's appeal was due to the catchy chorus but found the song separated her from other pop stars at the time of the single's release. Hogsett found the song quickly "established she was different than your typical pop star". People called the song "sexy" and "pulsating". A writer for The New York Times "got" the song's youthful message and said "One of the summer's catchiest singles captures the moment's anxieties about teenage sex. 'Genie in a Bottle', sung by the blue-eyed former Mouseketeer Christina Aguilera, is a skittish dance hit propelled by indecision". Pier Dominquez, writer of A Star is Made found the song could be deemed suggestive but stated the track does not promote sex or promiscuity. He found the sensuality of the song came from Aguilera's vocal delivery and found her ad-libbing something that would set her apart from other artists. "Throughout the summer of 1999, Christina Aguilera's "Genie in a Bottle" blared from car stereos. The funky pop hit topped the pop charts for weeks, racking up multi-platinum sales. What makes the song's initial success even more astounding is the fact that it topped the charts weeks before an accompanying music video was made. That such unusual success came about through what could be called a casual act makes the song's beginning even more awe-inspiring." Based on strong airplay and CD sales, "Genie in a Bottle" reached number one on the Hot 100Billboard, stayed there for five consecutive weeks and became the biggest summer song of 1999. At that point, it had the longest stay at number for the entire year, tying Ricky Martin's "Livin' la Vida Loca" and Jennifer Lopez's "If You Had My Love", although Carlos Santana would later in the year take the single, "Smooth", to number one on the chart with a ten-week run. The success of "Genie in a Bottle" marked the third time that year that a new female artist reached number one on the Hot 100 with her debut single, the first being Britney Spears with "...Baby One More Time" and the second being Lopez with "If You Had My Love". It has sold over 1.4 million physical copies in the U.S., making it Aguilera's best selling physical single. The success and achievement for Spears' and Aguilera's debut singles caused a lot of rivalry and comparisons between the two in the media. The song also crossed-over successfully to other Billboard charts, topping the Top 40 Mainstream, Top 40 Tracks and Rhythmic Top 40 charts. The song even managed to reach the Adult Top 40, and the Spanish version of the song, "Genio Atrapado" (English: "Trapped Genie"), was a modest hit on the Latin chart. Strong sales assured the single a platinum certification. "Genie in a Bottle" stayed on Billboard Hot 100 for 25 weeks, and 24 weeks in the United Kingdom. Internationally, a similar chart dominance was seen, as the track went to number one in both the United Kingdom and Canada for multiple weeks. It charted within the top five in every country it charted. Overall, the song is Aguilera's second-highest charting single, behind "Lady Marmalade", a collaboration with Lil' Kim, Mýa and Pink. "Genie in a Bottle" was certified platinum in Germany for selling over 500,000 units. The single was also certified platinum in Australia for selling over 70,000 units. "Genie in a Bottle" became Aguilera's first No. 1 on the Worldwide Singles chart, where it stayed on the charts for 29 weeks and ended up at #3 on the Year-End chart. "Genie in a Bottle" was certified platinum in almost every country it was released in, selling 1.4 million copies in the United States alone. It peaked at No. 7 on the Year-End charts in the United States, and No. 7 on the European Year-End charts. n 2007, the song was ranked #38 on VH1's 100 Greatest Songs of the '90s. The music video accompanying the track was directed by Diane Martel who had previously worked on Mariah Carey's "Dreamlover", and was shot in Malibu with surroundings of a beach and a wooden beach house. "I was out on the sand, greased up in, like, baby oil in shorts and a little cut-off top" she recalled, during the video, scenes saw her and others surrounding a campfire and despite this Aguilera recalled the video shoot was "freezing" with crew members all wearing large coats to keep them warm from the cold which Aguilera was struggling with. In most scenes of the video, Aguilera sings and performs a "genie" inspired coreography with her male dancers in front of the beach. As the video advances, the guys (with Christina's love interest in there) join the beach party. Near the end of the video, all the teens go outside and hung out around a bonfire. Pier Dominquez authour of A Star is Made analyzing the video said: "The lighting of the video prominently featured Christina's golden tresses as her best feature, although the singer herself was rather obscured by the dark shadows, suggesting that the record company still did not know what to do with the singer's image. The choreography featured Christina, wearing orange pants and a beaded blouse, with her dance troop behind her, simulating a genie coming out of the bottle. It was filled with symbolism and her dancing was incredible." Two days after this Aguilera performed the track again, wearing an orange top and black leather trousers she performed the track on the MTV show TRL among other tracks from the self-titled album. The particular day in which she performed the track host Carson Daly was not present and Aguilera publicly declared she had "missed" him which led to a media frenzy surrounding a rumored romance between Daly and herself. The following month Aguilera performed on the British television show Top of the Pops and during the same episode that her performance was aired on, Mariah Carey's performance of her track "Heartbreaker" which led Aguilera to announce to the media her appreciation and her willingness to meet the performer. Once again her performance on Top of the Pops had gathered more controversy than she had wished and soon a feud erupted from Carey's team which critics noted was due to the lack of success stemming from her album Rainbow and the consistent comparisons between the pair. Aguilera also performed at the National Building Museum for the Children's National Medical Center in the company of ex-president Bill Clinton, later she performed for WFLZ's Y-2 concert in Florida with 15,000 fans viewing, wearing a silver top and gem studded jeans with a blue-sequined bandana performing the track on both occasions. It was announced by MTV in 1999 that Aguilera would perform live on their New Year's Eve Special, wearing "tight" leather trousers Aguilera performed a the track live as the first song in her set which was then followed by "What a Girl Wants". "Genie in a Bottle" was also performed during her 2002-03 Justified & Stripped Tour, a concert tour which was held in order to support Aguilera's album Stripped (2002) and Justin Timberlake's Justified (2002). The "Egyptian-turned-metal version" performance featured Aguilera in her pink straps attached to her outfit rolling on a giant "X", which portrayed her contemporary alter ego "Xtina". It included Middle Eastern keyboards and 80's hair-metal guitar, where she slowly released herself as a "genie" as male dancers danced around her. On November 23, 2008, she performed the song while promoting her compilation album Keeps Gettin' Better: A Decade of Hits, at the 36th Annual American Music Awards. She opened the show with a seven-minute medley of her greatest hits, which also included "Beautiful", "Keeps Gettin' Better", "Dirrty", "Ain't No Other Man" and "Fighter". In an effort to maintain the "buzz" surrounding both the record and Aguilera, RCA set up a guest spot for her to perform the track on the teen-marketed television shows Beverly Hills 90210. The performance saw Aguilera in a bar performing at a birthday party for a character named David. In 2000, Aguilera began recording in Miami with Cuban-American producer Rudy Pérez. He composed Spanish versions of five songs from Aguilera's debut album, "Come on Over Baby (All I Want Is You)" ("Ven Conmigo (Solamante Tú)"), "Genie in a Bottle" ("Genio Atrapado"), "I Turn to You" ("Por Siempre Tu"), "What a Girl Wants" ("Una Mujer"), and "Reflection" ("Mi Reflejo"). The Spanish version of "Genie in a Bottle", entitled "Genio Atrapado", was written and produced by Pérez among the former producers of the song. Pérez stated that Aguilera did not know any Spanish while recording; he remedied the problem by phonetically writing out lyrics and included a system that allowed Aguilera to pronounce the "r's" in the songs. "Genio Atrapado" received a Latin Grammy Award nomination for Best Female Pop Vocal Performance at the 2011 Latin Grammy Awards, which was awarded to Shakira for "Ojos Así". A music video for the song was directed by Diane Martel, who also directed the clip for "Genie in a Bottle". In 2008, Aguilera released her first greatest hits album, Keeps Gettin' Better: A Decade of Hits. The album features two remix versions of her two previous hits, "Genie in a Bottle" ("Genie 2.0") and "Beautiful" ("You Are What You Are (Beautiful)"), both were remixed produced by Linda Perry. The version features elements from "chilly" electropop and electronic genres. The song was released via iTunes Stores in order to promote the album. Upon its release, critical response to "Genie 2.0" was favorable. Associated Content praised its "interesting", "more melodic and techno" sound of the song, unlike the original. Nick Butler for Sputnikmusic compared the track's electronic sounds to The Eurythmics's "Sweet Dreams (Are Made of This)", deeming the version "awesome". Nick Levine for Digital Spy commented about the two remakes that "though hardly essential, work better than they have any right to". In support of the greatest hits album, Aguilera performed "Genie 2.0" and "Keeps Gettin' Better" at the 2008 MTV Video Music Awards. On November 22, 2008, "Genie 2.0" debuted and peaked at number 161 on the UK Singles Chart. *sales figures based on certification alone
^shipments figures based on certification alone
xunspecified figures based on certification alone
The three wishes joke is a form of joke in which the protagonist is given three wishes by a supernatural being, and fails to make the best use of them. Common scenarios include releasing a genie from confinement - perhaps finding an old oil lamp and rubbing it; catching and agreeing to release a mermaid or magical fish; or crossing paths with the devil. The protagonist of the joke makes their first two wishes and finds that all is well. Often, the third wish is either misinterpreted, or intentionally granted in an awkwardly literal fashion, and cannot be reversed because it is the final wish, resulting in the punchline of the joke. Alternatively, the wishes are split between three people, with the last person inadvertently or intentionally messing up or undoing the wishes of the others with their wish to form the punchline. An example of the three wishes joke runs as follows: The point of the joke is that the third person's wish has reversed the wishes of the first two, leaving them back where they started. One variation on the theme has the protagonist turning the tables on the genie, who for some contrived reason has placed a condition on the wishes that would result in an opponent of the protagonist also benefitting from the wishes. An example of this joke was used in The Simpsons episode, "Homer Simpson, This Is Your Wife". There, a character tells Marge Simpson a joke in which a genie promises to grant a man whatever he wishes, with the caveat that the man's wife's lover gets double whatever the man gets. After first wishing for a house and a car, the man wishes to be beaten "half to death" — which Marge doesn't understand. A very early version of the joke is found in an 1875 book of Scottish anecdotes. There, a Scottish highlander is asked what his three wishes would be. He first wishes for a lake full of whisky. His second wish is for a similar quantity of good food. When asked for his third wish, after a moment of indecision, he asks for a second lake full of whisky. Still another variation has the confused protagonist suddenly finding himself in the presence of the genie, who informs him that he has one wish left; he has just used the second wish to completely undo the effect of the first, including his own memory of making it. Undaunted, the protagonist makes his third wish, only to have the genie comment wryly (just before disappearing) that he wished for the same thing the first time. Yet another variation is the one where the first wishes go wrong and through the last one, the protagonist(s) end up exactly the way they were from the beginning. An example of this is the following: The format is not always used for humor. In "The Monkey's Paw", a horror short story by author W. W. Jacobs, the paw of a dead monkey is a talisman that grants its possessor three wishes, but the wishes come with an enormous price. The 1967 movie, Bedazzled, and the remake, are essentially movie-length stories relating such a joke, although the protagonist is given seven wishes rather than three.
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General Electric, or GE, is an American multinational conglomerate corporation incorporated in Schenectady, New York and headquartered in Fairfield, Connecticut, United States. The company operates through four segments: Energy, Technology Infrastructure, Capital Finance and Consumer and Industrial.

In 2011, GE ranked among the Fortune 500 as the 26th-largest firm in the U.S. by gross revenue, as well as the 14th most profitable. However, the company is currently listed the 4th-largest in the world among the Forbes Global 2000, further metrics being taken into account. Other rankings for 2011/2012 include No. 7 company for leaders (Fortune), No. 5 best global brand (Interbrand), No. 63 green company (Newsweek), No. 15 most admired company (Fortune), and No. 19 most innovative company (Fast Company).

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