The cinema of the United States, often generally referred to as Hollywood, has had a profound effect on cinema across the world since the early 20th century. Its history is sometimes separated into four main periods: the silent film era, classical Hollywood cinema, New Hollywood, and the contemporary period. While the French Lumière Brothers are generally credited with the birth of modern cinema, it is indisputably American cinema that soon became the most dominant force in an emerging industry. Since the 1920s, the American film industry has grossed more money every year than that of any other country.
In 1878, Eadweard Muybridge demonstrated the power of photography to capture motion. In 1894, the world's first commercial motion picture exhibition was given in New York City, using Thomas Edison's Kinetoscope. The United States was in the forefront of sound film development in the following decades. Since the early 20th century, the U.S. film industry has largely been based in and around Hollywood, Los Angeles, California. Picture City, FL was also a planned site for a movie picture production center in the 1920s, but due to the 1928 Okeechobee hurricane, the idea collapsed and Picture City returned to its original name of Hobe Sound. Director D. W. Griffith was central to the development of film grammar. Orson Welles's Citizen Kane (1941) is frequently cited in critics' polls as the greatest film of all time.
Heather O'Rourke (December 27, 1975 – February 1, 1988) was an American child actress.
A native of San Diego, O'Rourke was discovered at the age of five by director Steven Spielberg while eating lunch with her mother at the MGM commissary. Spielberg cast her as Carol Anne Freeling, a little girl abducted by ghosts in the 1982 horror film Poltergeist. She would go on to reprise the role of Carol Anne in the second and third installments. In addition to her roles in the Poltergeist film series, O'Rourke also had a recurring role on Happy Days from 1982 to 1983, and made several television guest appearances.
Poltergeist III is a 1988 American horror film. It is the third entry in the film seriesPoltergeist. Writers Michael Grais and Mark Victor, who wrote the screenplay for the first two films, did not return for this second sequel; it was co-written, executive produced and directed by Gary Sherman, and was released on June 10, 1988, by Metro-Goldwyn-Mayer Pictures. The film was panned by critics, and was a box office disappointment.
Heather O'Rourke and Zelda Rubinstein were the only original cast members to return. O'Rourke died four months before the film was released and before post-production could be completed. It was dedicated to her memory.
Poltergeist II: The Other Side is a 1986 horror film and the second entry in the film seriesPoltergeist. A sequel to Poltergeist, it features the return of the original family, who are once again confronted by a spirit trying to harm their daughter, Carol Anne. It received mixed reviews from critics and did not gross as much at the box office as its predecessor, although it was still financially successful. It ended up making over $40 million against a $19 million (estimated) production budget and was nominated for the Academy Award for Visual Effects. The film was also nominated for a Razzie Award for Zelda Rubinstein as Worst Supporting Actress. It was followed in 1988 by Poltergeist III.
In journalism, a human interest story is a feature story that discusses a person or people in an emotional way. It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer.
Human interest stories may be "the story behind the story" about an event, organization, or otherwise faceless historical happening, such as about the life of an individual soldier during wartime, an interview with a survivor of a natural disaster, a random act of kindness or profile of someone known for a career achievement.