The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια) were initiation ceremonies held every year for the cult of Demeter and Persephone based at Eleusis in ancient Greece. Of all the mysteries celebrated in ancient times, these were held to be the ones of greatest importance. It is acknowledged that their basis was an old agrarian cult which probably goes back to the Mycenean period (c. 1600 – 1100 BC) and it is believed that the cult of Demeter was established in 1500 BC. The idea of immortality which appears in syncretistic religions of antiquity was introduced in late antiquity. The mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases, the "descent" (loss), the "search" and the "ascent", with the main theme the "ascent" of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome. The name of the town, Eleusís seems to be Pre-Greek and it is probably a counterpart with Elysium and the goddess Eileithyia.
The rites, ceremonies, and beliefs were kept secret and consistently preserved from a hoary antiquity. The initiated believed that they would have a reward in the afterlife. There are many paintings and pieces of pottery that depict various aspects of the Mysteries. Since the Mysteries involved visions and conjuring of an afterlife, some scholars believe that the power and longevity of the Eleusinian Mysteries came from psychedelic agents.
The Greek underworld, in mythology, was a place where souls went after death and was the Greek idea of afterlife. At the moment of death the soul was separated from the corpse, taking on the shape of the former person, and was transported to the entrance of Hades. Hades itself was described as being either at the outer bounds of the ocean or beneath the depths or ends of the earth. It was considered the dark counterpart to the brightness of Mount Olympus, and was the kingdom of the dead that corresponded to the kingdom of the gods. Hades was a realm invisible to the living and it was made solely for the dead.
There were five main rivers that appear both in the real world and the underworld. Their names were meant to reflect the emotions associated with death.
Planets in astrology have a meaning different from the modern astronomical understanding of what a planet is. Before the age of telescopes, the night sky was thought to consist of two very similar components: fixed stars, which remained motionless in relation to each other, and "wandering stars" (Ancient Greek: ἀστέρες πλανῆται asteres planetai), which moved relative to the fixed stars over the course of the year.
To the Greeks and the other earliest astronomers, this group comprised the five planets visible to the naked eye, and excluded the Earth. Although strictly the term "planet" applied only to those five objects, the term was latterly broadened, particularly in the Middle Ages, to include the Sun and the Moon (sometimes referred to as "Lights"), making a total of seven planets. Astrologers retain this definition today.
Greek mythology is the body of myths and teachings that belong to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. It was a part of the religion in ancient Greece. Modern scholars refer to and study the myths in an attempt to throw light on the religious and political institutions of Ancient Greece and its civilization, and to gain understanding of the nature of myth-making itself.
Greek mythology is explicitly embodied in a large collection of narratives, and implicitly in Greek representational arts, such as vase-paintings and votive gifts. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a wide variety of gods, goddesses, heroes, heroines, and mythological creatures. These accounts initially were disseminated in an oral-poetic tradition; today the Greek myths are known primarily from Greek literature.
In journalism, a human interest story is a feature story that discusses a person or people in an emotional way. It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer.
Human interest stories may be "the story behind the story" about an event, organization, or otherwise faceless historical happening, such as about the life of an individual soldier during wartime, an interview with a survivor of a natural disaster, a random act of kindness or profile of someone known for a career achievement.