How many seasons are in the O.C?

The O.C. is an American teen drama television series that originally aired on the Fox network in the United States from August 5, 2003, to February 22, 2007, running a total of four seasons. The series, created by Josh Schwartz, portrays the fictional lives of a group of teenagers and their families residing in the affluent seaside community of Newport Beach, in Orange County, California.

The series centres on Ryan Atwood, a troubled youth from a broken home who is adopted by the wealthy and philanthropic Sandy and Kirsten Cohen. Ryan and his surrogate brother Seth, a socially awkward yet quick-witted teenager, deal with life as outsiders in the high-class world of Newport Beach. Ryan and Seth spend much time navigating their relationships with girl-next-door Marissa Cooper, Seth's childhood crush Summer Roberts, and the fast-talking loner Taylor Townsend. Story lines deal with the culture clash between the idealistic Cohen family and the shallow, materialistic, and closed-minded community in which they reside. The series includes elements of postmodernism, and functions as a mixture of melodrama and comedy.

The use of music on FOX drama The O.C. gained much acclaim. Show creator Josh Schwartz wanted music to be a "character on the show" and the experienced Alexandra Patsavas took the role of music supervisor. The show's orchestral music was composed by Christopher Tyng. The series is credited with showcasing many artists, and helping to elevate them in the music business. Many acts made guest appearances on the show, and others premiered their new singles in episodes. Six official soundtracks were released, and these were compilations of predominantly indie music.

Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things, because individuals have different preferences in entertainment, most forms are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry which records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded products; to a banquet adapted for two; to any size or type of party, with appropriate music and dance; to performances intended for thousands; and even for a global audience.

The experience of being entertained has come to be strongly associated with amusement, so that one common understanding of the idea is fun and laughter, although many entertainments have a serious purpose. This may be the case in the various forms of ceremony, celebration, religious festival, or satire for example. Hence, there is the possibility that what appears as entertainment may also be a means of achieving insight or intellectual growth.