Question:

How does Beowulf react when he realizes that the battle with the fire dragon will go against him?

Answer:

Beowulf runs to Aerogon, and seeks the help of the King.

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King Geats

Anglo-Saxon paganism refers to the religious beliefs and practices followed by the Anglo-Saxons between the fifth and eighth centuries AD, during the initial period of Early Medieval England. A variant of the Germanic paganism found across much of north-western Europe, it encompassed a heterogeneous variety of disparate beliefs and cultic practices. Developing from the earlier Iron Age religion of continental northern Europe, it was introduced to Britain following the Anglo-Saxon migration in the mid fifth century, and remained the dominant religion in England until the Christianization of its kingdoms between the seventh and eighth centuries, with some aspects gradually blending into folklore.]citation needed[

Much of what is supposedly known about Anglo-Saxon paganism is the result of the efforts of literary antiquarians in the late eighteenth and nineteenth centuries; in particular, the notion that Old English poetry contains vestiges of an actual, historical pre-Christian paganism has been queried by Anglo-Saxonists. Anglo-Saxon paganism was a polytheistic belief system, focused around the worship of deities known as the ése (singular ós). The most prominent of these deities was likely Woden, for which reason the religion has also been called Wodenism, although other prominent gods included Thunor and Tiw. There was also a belief in a variety of other supernatural entities who inhabited the landscape, including elves, nicor, and dragons. Cultic practice largely revolved around demonstrations of devotion, including sacrifice of inanimate objects and animals, to these deities, particularly at certain religious festivals during the year. Pagan beliefs also influenced funerary practices, where the dead were either inhumed or cremated, typically with a selection of grave goods. There was also a magical component to the early Anglo-Saxon religion, and some scholars have also theorised that there may have been shamanic aspects as well. These religious beliefs also had a bearing on the structure of Anglo-Saxon society, which was hierarchical, with kings often claiming a direct ancestral lineage from a god, particularly Woden. As such, it also had an influence on law codes during this period.

English folklore is the folk tradition which has developed in England over a number of centuries. Some stories can be traced back to their roots, while the origin of others is uncertain or disputed. England abounds with folklore, in all forms, from such obvious manifestations as the traditional Robin Hood tales, the Brythonic-inspired Arthurian legend, to contemporary urban legends and facets of cryptozoology such as the Beast of Bodmin Moor.

Morris dance and related practices such as the Abbots Bromley Horn Dance preserve old English folk traditions, as do Mummers Plays. Pub names may preserve folk traditions.

Scandinavian folklore is the folklore of Norway, Sweden, Denmark, Iceland and the Faroe Islands.

Collecting folklore began when Gustavus Adolphus of Sweden sent out instructions to all of the priests in all of the parishes to collect the folklore of their area in the 1630s. They collected customs, beliefs that were not sanctioned by the church, and other traditional material.

Beowulf Hroðgar

European dragons are legendary creatures in folklore and mythology among the overlapping cultures of Europe.

In European folklore, a dragon is a serpentine legendary creature with two pairs of lizard-type legs and bat-type wings growing from its back. A dragon-like creature with two legs (sometimes none) is known as a wyvern.

A dragon is a legendary creature, typically with serpentine or reptilian traits.

Dragon may also refer to:

Wiglaf Literature Culture Film

In journalism, a human interest story is a feature story that discusses a person or people in an emotional way. It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer.

Human interest stories may be "the story behind the story" about an event, organization, or otherwise faceless historical happening, such as about the life of an individual soldier during wartime, an interview with a survivor of a natural disaster, a random act of kindness or profile of someone known for a career achievement.

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