In the visual arts, color theory is a body of practical guidance to color mixing and the visual effects of specific color combination. There are also definitions (or categories) of colors based on the color wheel: primary color, secondary color and tertiary color. Although color theory principles first appeared in the writings of Leone Battista Alberti (c.1435) and the notebooks of Leonardo da Vinci (c.1490), a tradition of "colory theory" began in the 18th century, initially within a partisan controversy around Isaac Newton's theory of color (Opticks, 1704) and the nature of so-called primary colors. From there it developed as an independent artistic tradition with only superficial reference to colorimetry and vision science.
Variations of gray or grey include achromatic grayscale shades, which lie exactly between white and black colors, and nearby colors with low colorfulness. A selection of a number of these various colors are shown below.
Hair color is the pigmentation of hair follicles due to two types of melanin: eumelanin and pheomelanin. Generally, if more eumelanin is present, the color of the hair is darker; if less eumelanin is present, the hair is lighter. Levels of melanin can vary over time causing a person's hair color to change, and it is possible to have hair follicles of more than one color.
Particular hair colors are associated with ethnic groups. The shades of human hair color are assessed using the Fischer–Saller scale. The Fischer–Saller scale, named after Eugen Fischer and Karl Saller, is used in physical anthropology and medicine to determine the shades of hair color. The scale uses the following designations: A (light blond), B to E (blond), F to L (blond), M to O (dark blond), P to T (brown), U to Y (dark brown/black) and Roman numerals I to IV (red) and V to VI (red blond). See also the Martin–Schultz scale for eye color.