The Mask aka The Mask: Animated Series is an American animated television series based on the film of the same name. The show ran for two seasons, from August 12, 1995 to March 8, 1997, on CBS, and spawned its own short-run comic book series, Adventures of The Mask. John Arcudi, former writer of the original comics, penned two episodes of the cartoon. It originally was played during the CBS Kidshow line-up on Saturday mornings, but after being cancelled, it was moved to Cartoon Network (where the live-action films were also aired). The show also ran in syndication.
Much as with the Beetlejuice cartoon before it, The Mask: Animated Series took many elements from the source movie but dropped characters and changed certain other persona. Reporter Peggy Brandt (Amy Yasbeck's character from the movie) is the main female character in the show. Tina Carlyle (Cameron Diaz's character in the movie) is absent from the cartoon. However, the events of the movie are alluded to, as Charlie knows that Stanley was the Mask (though thinks Stanley threw it away), and Stanley is still upset over Peggy selling him out to the mob (given that Stanley and Peggy were never treated as a potential couple, there may have remained some bad feelings over that though The Mask himself sometimes tries to woo her). A gypsy named Madam Suspiria at one point claims that the Mask is the most powerful artifact in the world when she remarks "The most powerful artifact in the world and this idiot keeps it with his laundry". Unlike in the movie, Ipkiss is able to use the mask in daytime as well as at night.
A wrestling mask is a fabric based mask that some professional wrestlers wear as part of their in-ring persona or gimmick. Professional wrestlers have been using masks as far back as 1915 and they are still widely used today, especially in Lucha Libre in Mexico.
In 1915 a North American wrestler became the first masked wrestler ever when Mort Henderson started wrestling as the "Masked Marvel" in the New York area. In the subsequent years many wrestlers would put on a mask after they had been used in an area, or territory, that their popularity and drawing ability diminished, it would be an easy way for a wrestler to begin working in a new area as a "fresh face". Sometimes workers wore masks in one territory and unmasked in another territory in order to keep their two identities separate.
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In comics only:
Dark Horse Comics is an American comic book and manga publisher.
Dark Horse Comics was founded in 1986 by Mike Richardson in Milwaukie, Oregon, with the concept of establishing an ideal atmosphere for creative professionals. Richardson started out by opening his first comic book store, Pegasus Books, in Bend, Oregon, in 1980. From there he was able to use the funds from his retail operation to start his own publishing company. Dark Horse Presents and Boris the Bear were the two initial titles in 1986 and within one year of its first publication, Dark Horse Comics added nine new titles to its roster, including The American, The Mark, Trekker, and Black Cross. In 2011, Dark Horse Presents relaunched including the return of Paul Chadwick's Concrete and Steve Niles's Criminal Macabre, as well as new talent including Sanford Greene, Carla Speed McNeil, Nate Crosby and others.
The visual arts are art forms that create works that are primarily visual in nature, such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, photography, video, filmmaking and architecture. These definitions should not be taken too strictly as many artistic disciplines (performing arts, conceptual art, textile arts) involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.
The current usage of the term "visual arts" includes fine art as well as the applied, decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' was often restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art media. The distinction was emphasized by artists of the Arts and Crafts Movement who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions painting has been seen as relying to the highest degree on the imagination of the artist, and the furthest removed from manual labour - in Chinese painting the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes.